Month: December 2012

Digital Demand

Two weeks ago I talked about how now is the greatest time in history to be a comics fan. Among other things, I mentioned Comixology. I've got concerns about Comixology -- it uses a proprietary, DRM-encumbered format, meaning there's a risk of a monopoly, same as any time a single major provider uses a proprietary, DRM-encumbered format -- but ultimately, I think that shit will work itself out. That doesn't mean we shouldn't be concerned, shouldn't complain, shouldn't put pressure on Comixology and the publishers who use it to find another way -- but the music industry ultimately realized that a standards-compliant, DRM-free format was in its best interest, and the book publishers are beginning to get the message too; I think it's only a matter of time for comics. (TV and movies will be dead fucking last to get the message and will, like the music industry, wait until their bottom line has seriously suffered for their foot-dragging, knuckle-dragging stupidity, but they'll come around too.)

At any rate, those caveats in mind, I think that the recent announcement that Comixology is the third-highest earning iPad app of 2012 is a fucking good sign for the comics industry. It shows there's a big demand and it's getting bigger.

Moreover, while I've heard people express concern for years that digital comics will spell the end of print comics, they sure don't seem to be posing a threat -- which makes sense. The way I see it, people who get their comics through Comixology aren't any less likely to buy comics in print; if you've never bought a comic before, then you're not a lost sale, and if you have bought comics from bookstores or especially from specialty shops, you're not going to stop doing that just because you can get them on your iPad or what-have-you now.

For my part, I'm about to get a Nexus 7. For starters, the thing looks pretty small and I'm skeptical that it will even be satisfactory for reading comics on. Even if it is, I am confident it will not compare to the experience of reading a full-size comic.

That said, as I mentioned in that other post, there are a shitload of comics that are not currently in print, and if I find that it is comfortable to read comics on the Nexus 7, I will certainly start reading comics on it that are not available in my local comic shop.

That doesn't mean I'll stop shopping at my local comic shop. It doesn't even mean that I'll spend less money there. It just means I'll have one more way to experience comics (whether they're ones I've bought or acquired for free).

And while I love my local comic shop, it also means that people can make money selling comics to a niche audience without having to worry about print costs or Diamond minimum distribution numbers.

Ultimately, it's not a zero-sum game (except insofar as every consumer's entertainment budget is a zero-sum game). Digital comics doesn't mean the same audience gets the same comics from a different distributor, it means the potential for a new audience and different comics. And those are good things that make the medium richer for all of us.

Cavett, Part 2

The comment that Moon is 12 years old places this in late '79 or '80, about where I figured between the fashions and the Jewish Princess controversy.

Another abrupt cut -- from the bad old days of YouTube limiting videos to 10 minutes. (As opposed to the bad new days, where YouTube automatically flags infringing videos based on pattern-matching algorithms, whether they're actually infringing or not.) To be concluded!

Doctor Who: Inferno

Originally posted brontoforum.us, 2008-12-28.


Inferno, it turns out, is another great Pertwee serial that is available through Netflix (disc only, no streaming).

Essentially, it's like Mirror, Mirror, except instead of Spock with a goatee, it has the Brigadier with an eyepatch.

It's a little long (could be one episode shorter -- he spends the entirety of the first episode in the parallel universe trying to explain to everyone that he's from a parallel universe), but really it runs at a great pace overall and has a whole lot more action than most Who from that period.

The parallel universe is used to good effect, emphasizing characters who are much different (the Brigade Leader is a coward hiding behind his gun and his rank) as well as characters who are more or less the same (the pompous Professor Stahlman, who would doom the world rather than take a blow to his ego, and the dashing Greg Sutton, who defies him), with companion Liz Shaw somewhere in-between.

The best device, IMO, is that in episode 4 or 5 the Doctor outright tells the parallel cast that they're screwed and past the point of no return and there's nothing he can do for their world, but that he can still save his own, leaving several episodes for the parallel cast to come to grips with their certain impending doom and react accordingly.

The "there are some things man wasn't meant to tamper with" premise is stale, but works well for an apocalyptic "Earth ends in fire" story -- the ending of the penultimate episode, with a wave of lava coming toward the cast, is cheesily green-screened but nonetheless makes a striking image.

The finale is another episode that could safely be chopped in half, but it mirrors the events of the parallel world, with slight changes, satisfyingly. The ending is vintage Third Doctor, with the Doctor and the Brigadier butting heads and then one of them forced to eat crow.

The transfer has all the usual flaws I've now come to associate with Pertwee-era serials, an often-grainy picture and occasional wavy lines. I watched one episode (3 or 4) on an SDTV and it was a lot less noticeable.

There's also a second disc with extras on it; I assume they're neat but I'm not going to bother.

All in all, classic Who; worth renting, worth buying. (It does help to have a cursory background knowledge of the Third Doctor's setup, that he's been exiled by the other Time Lords and trapped in 1970 London, and that at this point he's trying to fix his TARDIS so he can travel again. Probably good to check out Spearhead from Space first, and maybe The Silurians. The Ambassadors of Death, the serial immediately preceding this one, is out on DVD now too, but I haven't seen it yet.)

Cavett, Part 1

Zappa on Dick Cavett, part 1 -- pardon the rather abrupt cutoff; I'll get to part 2 tomorrow. Uploaded by buruglen. I didn't catch an exact year but it's clearly late '70's or early '80's.

Birthdays

Happy birthday today to my little brother, and also to my bachelor's degree in computer science.

Bloat

Tonight I wanted to print something.

For some fucking reason, this required me to download a 140MB "driver file" that appears to be composed primarily of videos, one of which tells me how to use my printer and the other is just a fucking animated HP logo.

In my personal and professional opinion, shit like that is completely inexcusable. There is no fucking reason why I should have to download 138MB of crap just so I can get at the 2MB driver file.

At least there was a feedback form at the bottom of the page. I filled it out! It was a lot like this post but with less cursing. (Although I did tell them that I am offended "as a programmer, as a customer, and as a guy with SHIT TO DO.")

Increased processing power and widespread high-speed Internet has made programmers lazy. (Though in the programmers' defense, this particular little call has "marketing department" written all over it.) On the plus side, the increasing prevalence of smartphones is forcing developers to think about smaller footprints, both in system requirements and bandwidth consumption. But unfortunately that's probably not going to convince anybody to make Windows device drivers smaller.

Blessed Relief cover

By a jazz trio called organissimo. I'll admit I miss the horns, but it's a pretty cool rendition.

Uploaded by Jim Alfredson, who says this is at the Founders Brewing Co. He doesn't say what year the performance is, but he uploaded it in November of 2008 and I'm willing to guess it was a recent video then.

Big Swifty

My dad told me he and my brother just named their new cat Big Swifty.

This is an audience recording from Passaic, '73, courtesy of YourArf.

Zappa on Varèse

A week and a half ago I mentioned the bit in The Real Frank Zappa Book where he talked about how he first discovered Edgard Varèse.

Well, it's been about a decade since I read the book, but I just ran across an article called Edgard Varèse: The Idol of My Youth from the June 1971 issue of Stereo Review, and I'm pretty confident it's the same piece. (If it's not, it's a different telling of the same story.)

Another Zappa interview courtesy of afka.net.

Artificial Stupidity

I really do love Red Dead Redemption. But for all that it's a big open-world sandbox game, the actual story events have very little room for player choice.

See that guy running away from the creepy, slavering weirdo in the middle of the desert? Better lasso him and take him back! Otherwise you fail the mission.

Or what about the guy beating up that woman? If you attack him, you fail the mission. Instead you have to buy her freedom and then take her away, so she can go back to him and get murdered and you end up killing him anyway.

Or how about the guy who told you where to find Javier Escuella, only to lead you into an ambush and try to kill you? Looks like you've got him in your grasp, and he's telling you where Javier Escuella is, really for real this time! So before you ride off, you have the choice of either (1) killing him or (2) letting some other guys kill him. There is no option (3) consider the possibility that the guy who already lied to you and lured you into a deathtrap may be lying to you and luring you into a deathtrap. (Spoiler alert: he is lying to you and luring you into a deathtrap.)

I mean, John Marston is depicted as a pretty simple guy -- a self-described "half-literate farmer and hired gun" --, but he's not a blithering goddamn moron. He's just, you know, a character in a video game who is occasionally forced to behave like one in order to move the narrative forward to the next event.