Category: Stream of Consciousness

Tracking

I wrote a post about VPNs a few months back, referring to the recent repeal of Obama-era regulations that would have prevented ISPs from selling customer browsing history.

There's a common refrain I've seen from people who favor the repeal, both in the government and in Internet comments sections: "Google and Facebook track you and sell your data, and the government doesn't stop them from doing it, so it's not fair to stop your ISP from doing it!"

Now, this argument is fundamentally dishonest, for the following reasons, off the top of my head:

  • Your ISP sits between you and every single site you visit. Google and Facebook have extensive tracking operations, but not that extensive.

  • You can use the Internet without using Facebook or Google. It may not be easy, but it's possible. You can't use the Internet without your ISP.

  • Google and Facebook's business model is that they provide a service and, in exchange, you allow them to gather your personal data and resell it to third parties. Your ISP's business model is that it provides service and, in exchange, you pay them eighty fucking dollars a month. Did I say eighty? They just kicked it up to one-thirty, if you want unlimited data.

    When you give your personal data to Facebook or Google to sell to third parties, you get their service in return. When you give your personal data to your ISP to sell to third parties, you get fucking nothing in return, because you're already paying your ISP money in exchange for Internet service. Is your ISP going to lower your bill in exchange for taking your personal information to sell to third parties? LOLno.

  • Google and Facebook have competitors. Those competitors don't have the dominant market position that Google and Facebook do; hell, maybe they're just plain not as good. But they exist. They're options.

    There is no significant broadband competition in the US. If I don't like my ISP, I can't just switch to another one, because there is no other one available at my address. My choices consist of Cox, no Internet, and moving.

    There's no incentive for your ISP to behave ethically. There's no incentive for your ISP to charge you fairly. There's no incentive for your ISP to provide quality service. My ISP is a monopoly. Yours probably is too. Or, at best, it might have one competitor that does all the same shit.

  • Google and Facebook have pages where you can opt out of tracking.

But. Despite the intellectual dishonesty of the "but Google and Facebook track you!" argument, there is a kernel of truth in there: yes, Google and Facebook track you, yes it's difficult to avoid that tracking, and no, there are no regulations in place to protect your data. This is a problem.

So, shortly after writing that post, I removed the Google Analytics code from this site. And now I've also updated the site so that the fonts it uses are hosted here at corporate-sellout.com, not called from Google Fonts (hat tip to the Disable Google Fonts WordPress plugin). I'm still using a Google Captcha on the Contact page for now, but I'm looking at alternatives. Plus, there are YouTube videos embedded on this site...and, well, there's nothing I can really do about preventing Google from tracking you when you load YouTube videos. Sorry about that.

I'm also planning on adding SSL to the site, eventually, but I haven't gotten around to it yet.

This blog's not a business. Occasionally somebody buys something through an Amazon Associates link, or buys my book (thanks!), but I've got a day job; I'm not here to make money. I write stuff here because I like to write stuff. Sometimes people like it, and that's cool, and it's cool to know that people are reading. But that's as far as my interest in analytics goes.

I don't resell data; I don't do SEO or A/B headlines or clickbait or any other kind of crap to try and drive people here -- hell, I hate all that shit. But I like looking at site stats once in awhile to see where people are coming from, where somebody's mentioned me, and to laugh at search terms like "did stan lee bone at jack kirby's wife".

So I'm looking for a new stats package. Server-side; just for me, not Google.

Meanwhile, I am looking for ways to use Google as little as possible, not just on this site but in general. I think I can probably get a few more posts out of that subject.

Hide Techdirt Comments

Updated 2022-02-28: Updated script for the new Techdirt comment engine.


Updated 2021-04-30: Fixed a bug that was preventing some replies from being hidden.


Updated 2019-09-11: Minor update because the site layout has changed slightly and the old version was no longer working.


Updated 2019-04-11: General cleanup; change to OOP.

Remove some techniques that are no longer needed since recent Techdirt update; add handling for some new types of predictable troll behavior.

Better blocking of flagged users who aren't logged in.


Updated 2018-08-19: Hide comments that have already been hidden by user flagging (this is mostly useful if the hideReplies boolean is set true).


Updated 2018-08-15: Added hideLoggedOut. If set true, then the script will hide any user who isn't logged in, unless their name is in the whitelist array.

Added hideReplies. If set true, then when the script hides a comment it will also hide all the replies to the comment.

If you set both hideLoggedOut and hideReplies to true, then the Techdirt comments section gets much quieter.


Updated 2018-08-09: Some doofus has been impersonating me. Script will now automatically flag and hide posts by fake Thad.

In addition to hiding posts if their subject line is too long, the script will now also hide posts if the username is too long. Additionally, the script can automatically flag posts if the subject or username exceeds a specified length.

This thing's gotten complicated enough that I think it's probably subject to copyright now. I've added a license. I chose a 3-Clause BSD License.


Updated 2018-06-20: Ignore mixed-case and non-alpha characters.


Updated 2018-03-06: Fixed case where usernames inside links were not being blocked.


Updated 2018-03-04: Added function to hide long subject lines, because some trolls like to write manifesto-length gibberish in the Subject: line.

There is now a maxSubjectLength variable (default value: 50). Any subject line exceeding that length will be hidden. If you reply to a post with a subject line exceeding that length, your reply's subject line will default to "Re: tl;dr".


Updated 2017-07-12: Added @include.


In my previous post, I mentioned that I spend too much of my life responding to trolls on Techdirt.

With that realization, I whipped up a quick Greasemonkey/Tampermonkey script to block all posts from specified usernames.

// ==UserScript==
// @name          Hide Techdirt Comments
// @namespace     https://corporate-sellout.com
// @description	  Hide comments on Techdirt, based on user and other criteria.
// @include       https://www.techdirt.com/*
// @require       https://c0.wp.com/c/5.9.1/wp-includes/js/jquery/jquery.min.js
// ==/UserScript==

const $ = jQuery;

// Boolean settings:
// if true, hide all posts from users who aren't logged in
const hideLoggedOut = true,

// if true, hide all replies to hidden posts
  hideReplies = true;

// List of users whose comments you want to hide -- collect 'em all!
const blacklistedUsers = [
  'btr1701',
  'Koby',
  'Richard Bennett'
],

// If an anonymous post begins with one of these strings, hide it
blacklistedStrings = [
  'out_of_the_blue',
  'Nothing to hide, nothing to fear'
],

// List of users whose comments you don't want to hide
whitelistedUsers = [
  'Chip',
  'Thad'
];

// global variable for storing gravatars of non-logged-in posters who have been blocked
let blockedGravatars = [],

// global variable for storing comments that aren't hidden
comments = [];

// check all non-hidden comments for a blocked gravatar
// (check each time a gravatar is blocked)
function checkCommentsForBlockedGravatar(blockedGravatar) {
  for(let i=0; i<comments.length; i++) {
    if(comments[i].gravatar === blockedGravatar) {
      comments[i].gravatarBlocked = true;
      comments[i].removeComment();
    }
  }
}


// Comment class
// Constructor
function Comment(node) {
  this.container = node;
  this.body = $('> .comment-body', this.container);
  this.nameBlock = $('.comment-author', this.body);
  this.name = $('> .fn', this.nameBlock).text();
  this.linkNode = $('> .url', this.nameBlock);
  this.loggedIn = this.linkNode.length > 0
    && this.linkNode.attr('href').startsWith('https://www.techdirt.com/user/');
  this.gravatar = $('> img', this.nameBlock).attr('src');
  this.gravatarBlocked = false;
  this.flagBtn = $('.report-button', this.body);
  this.alreadyHidden = this.container.hasClass('flagged');
  this.alreadyFlagged = this.flagBtn.hasClass('has-rating');
  this.postContent = $('.comment-content', this.body).text().trim();
  
  // If I click on the "Flag" button, remove the comment
  var that = this;
  that.flagBtn.one('click', function() {
    that.removeComment();
  });
}

// Functions
Comment.prototype = {
  constructor: Comment,
  
  checkForBlockedGravatar: function() {
    if(this.loggedIn) {
      return false;
    } else if(this.gravatarBlocked !== true) {
      // only need to find gravatar in blockedGravatars array once;
      // once this.gravatarBlocked is set true, then it will always be true.
      this.gravatarBlocked = blockedGravatars.includes(this.gravatar);
    }
    return this.gravatarBlocked;
  },
  
  blockGravatar: function() {
    this.gravatarBlocked = true;
    blockedGravatars.push(this.gravatar);
    checkCommentsForBlockedGravatar(this.gravatar);
  },
  
  removeComment: function() {
    if(hideReplies === true) {
      this.container.remove();
    } else {
      // replace comment with 'removed'
      // -- because replies will still be visible, this is necessary
      // so you can tell there's a missing post that they're replying to.
      this.body.text('removed');
    }
    if(!this.loggedIn && !this.gravatarBlocked) {
      this.blockGravatar();
    }
  },
  
  badStart: function() {
    for(let i=0; i<blacklistedStrings.length; i++) {
      if(this.postContent.startsWith(blacklistedStrings[i])) {
        return true;
      }
    }
    return false;
  },
  
  check: function() {
    if(
      this.alreadyHidden
      || this.alreadyFlagged
      || this.checkForBlockedGravatar() === true
      || blacklistedUsers.includes(this.name)
      || (this.loggedIn === false && hideLoggedOut === true && !whitelistedUsers.includes(this.name))
      || (this.name === 'Anonymous Coward' && this.badStart())
    ) {
      this.removeComment();
      return true;
    }
    return false;
  }
};

$('div.comment').each(function() {
  // skip comment if it's already been removed
  if(document.contains($(this)[0])) {
    const cmt = new Comment($(this));
    if(cmt.check() === false) {
      comments.push(cmt);
    }
  }
});

License

Copyright 2017-2021 Thaddeus R R Boyd

Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:

  1. Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer.
  2. Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the documentation and/or other materials provided with the distribution.
  3. Neither the name of the copyright holder nor the names of its contributors may be used to endorse or promote products derived from this software without specific prior written permission.

THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS "AS IS" AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT HOLDER OR CONTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

Further Thoughts

(Note: The script was much smaller when I originally wrote this part of the post.)

This is a blunt instrument; it took about five minutes to write. It lacks subtlety and nuance.

Blocking all anonymous posters on Techdirt is not an ideal solution; most anons aren't trolls. (Most trolls, however, are anons.) I apologize to all the innocent anons blocked by this script.

I could make the script more precise. Techdirt's trolls are creatures of habit with certain noticeable verbal tics (more on that below); if I had a good parser, I think I could whip up a scoring system that could recognize troll posts with a high degree of accuracy.

The question is, how much time do I want to spend on that?

On the one hand, "five minutes in a text editor" is the appropriate amount of time for dealing with forum trolls. Anything else seems like more effort and attention than they deserve.

On the other hand, it's a potentially interesting project, I've always wanted to spend some time studying natural language processing, and any programming project is time well-spent if it teaches you a new skill.

So I haven't decided yet. Here's the script as it stands, in its initial, blunt-instrument-that-took-five-minutes form. If I update the script, I'll update this post.

Chip Tips

Lastly, as I can no longer see anonymous posts, this means I will likely have to give up my beloved sockpuppet, Chip, the man who hates all government regulations and loves to eat leaded paint chips. To anyone and everyone else who wants to keep the spirit of Chip alive, you have my blessing to post under his name.

A few tips on how to write as Chip:

  • Never use the backspace key.
  • Remember to add random Capital Letters and "quotation marks" to your posts, in Places where they "don't" make Sense!
  • Most sentences should end with Exclamation Points!
  • I told you So!
  • I have "lots" of Solutions! So many I can't Name a single "one"!
  • Sycophantic Idiots!
  • Every Nation eats the Paint chips it Deserves!

Boy, my regular readers are going to have no fucking idea what I'm talking about in this post.

Come back tomorrow; I plan on having a post about online privacy that should be a little less niche.

Fanmail from Some Flounder

I've been meaning to blog more.

I like blogging. I like writing about shit. People seem to enjoy reading it. My friends keep telling me I should start blogging again (hi Friday!).

And I've been reading Nathan Rabin's Happy Place and really enjoying what Rabin has to say, and his enthusiasm about just being able to write about whatever he feels like.

But the kicker? Oh man.

The other day, I was checking replies to my Disqus posts.

And -- in response to a post I had written in the AV Club comments section five months ago, concerning the Black Panther: World of Wakanda comic -- some nice young fellow had written this:

Your blog sucks. Go back to sucking Ken Penders' dick.

Sonic the Hedgehog fandom is weird, you guys.

So okay, dude's obviously a troll; a quick gander at his posting history shows basically everything else he's ever written on Disqus has been arguing with atheists.

But the Penders thing? That's not random. It's far too specific.

My most recent Penders post was in 2015. At the time of this writing, it is on page 4 of this blog. So this is not a guy who decided, at random, to troll me, clicked on my name, and picked one of the posts on my blog to talk shit about.

And neither is this a guy who just now saw my Penders posts -- saw a link to them, found them on Google, whatever --, got incensed by them, and decided to write me a nastygram. Even assuming the gentlemen in question failed to notice the "Contact" link at the top of the page and instead, inexplicably, decided to look up my Disqus profile, he would have replied to one of my recent Disqus posts, not one that was five months old.

No. This is a dude who saw my posts about Ken Penders at some earlier date. Maybe as far back as 2013. And remembered them. And remembered my name. And, when he was randomly reading the comments section of an AV Club article, saw my name and felt the need to tell me off because, four years ago, I wrote some blog posts explaining that Ken Penders had a valid legal case against Archie Comics and Sega (or, as it's known in Sonic Fanboy-ese, "sucked Ken Penders' dick").

You know what? That is weirdly fucking flattering. I made an impact on this guy. People read my blog, and it matters to them.

I mean, sure, this guy is a troll and, clearly, a Sonic the Hedgehog fanboy -- those dudes are intense. I am sure he is not a representative member of my audience.

But the thing about writing whatever the hell I feel like is, I never know what's going to resonate with people.

The most attention I've ever gotten was when the online comic book press picked up on my posts about the never-finished-or-published 1990s Final Fantasy comic -- which, at that point, were already more than two years old.

And, in that same vein, my Final Fantasy 7 retrospective series continues to be popular. (Or at least did the last time I looked at my site stats. I've removed Google Analytics from this site -- that's a subject for another post -- but I'd like to get a new stats tool set up, because I like seeing what people are reading, where they're coming from, and what search terms they're using to get here.)

But these creators' rights pieces seem to get a pretty good amount of attention, too. People used to link my post on Marvel v Kirby all the time. And I once got a very nice E-Mail from Marc Tyler Nobleman for my Not My Batman post and its recognition of Bill Finger. (By the way: Batman & Bill is good; you should watch it.)

And so I'd like to get on back to yammering on about just whatever the hell it is I feel like yammering on about at the moment. Because what the hell; if I don't yammer here, I'm just going to yammer somewhere else, and frankly I spend far more time responding to trolls in the Techdirt comments section than a healthy person should.

I don't know if I'll manage 5-day-a-week posting like I used to. Maybe I will, maybe I won't. (Today I am posting on a Saturday. Whee!)

Course, if I do start blogging regularly again now, there's probably something to psychoanalyze in my doing it in response to our good friend Mr. "Your blog sucks" up there. I think humans are wired to notice criticism more than praise, and I suppose I'm no exception.

But what the hell; like I said, I've been planning to get back to blogging for awhile now anyway. And as criticism goes, I'm pretty sure this is the most fun hate mail I've ever gotten. Even better than the last unsolicited hate mail I got from a disgruntled Sonic fan, which was over 20 years ago and, in keeping with the whole "casual homophobia" theme, contained the phrase "You hump Robotnik's ugly butt!"

Sonic the Hedgehog fandom is weird, you guys.

Down-Ballot

The other day I wrote a Letter to the Editor to the Arizona Republic. I don't know if it made the print edition, but it's up on azcentral.com.

The letter was in response to an op/ed by Lisa Loo, titled Do judges justice. Finish marking your ballot. I appreciate Loo's message; down-ballot races are important, and your vote counts for a lot more, proportionally, than your vote for President.

But it can be damned difficult to find information on down-ballot candidates and initiatives; the less high-profile and glamorous the race, the harder it is to learn about it.

Loo points to Judicial Performance Review (azjudges.info), which scores judges on a variety of criteria.

The problem is, without context, those scores are just numbers; they don't mean anything if no explanation is provided.

So here's my letter to the editor, quoted in full:

I appreciated Lisa Loo's op-ed on the importance of studying up on judges and filling out the complete ballot, but it's easier said than done.

I know Jo Lynn Gentry is the only judge to receive failing marks, but I have been unable to find any explanation of why. Low scores out of context lack meaning, and I'm reluctant to cast a vote without an explanation for why I'm casting it.

It's not just the judges; a number of down-ballot candidates and local initiatives are obscure and have little information available. (Should TUHSD be allowed to sell two lots of property? I have no idea!)

What can we as voters do to educate ourselves when so little information is available?

The Republic didn't respond with any good answers for these down-ballot races.

A commenter named Jay Martin added this:

Exactly, I've been scouring why such a low score for hours and the only thing I can think of is that she ruled against blocking Prop 205 from the ballot and people against the measure are now upset at this.

Prop 205 is the ballot initiative to legalize marijuana. (Sort of. It's not full legalization, and it heavily favors existing vendors, basically setting up a cartel. Suffice it to say, I'm voting Yes because any move to stop putting people in prison for marijuana use is a step in the right direction, even if this isn't the ideal way of doing it.) County Attorney Bill Montgomery challenged it and tried to prevent it from getting on the ballot; Judge Gentry dismissed his challenge.

Could that be the reason Gentry has received such low marks?

In a word, no. Gentry's dismissal of the 205 challenge happened two months after Judicial Performance Review released her low scores.

So I have no idea why she Does Not Meet Expectations. And I'm not willing to vote to remove her without a reason. So I guess I get to decide between voting to keep her or not voting on her either way.

I still don't know what to do about that TUHSD thing, either, but I've got a friend who works at Marcos; I guess I should text him and ask if he knows what the deal is.

Calandra Vargas Won't Stop Spamming Me

In 2006, I made a mistake.

I was working for a small company in north Phoenix. (That was not the mistake. ...Well, actually, it was, but not the one I'm here to talk about today.) And I represented that company in a networking group of local small businesses.

One of the people in the group was Sam Crump. I'm not used to using people's real names when I tell stories like this, but Sam's a public figure, so I'm going to go ahead and make an exception in this case.

Sam owns a law firm. I can't tell you anything about it from personal experience, but I hear good things.

And in 2006, Sam decided to run for the state legislature.

Sam's politics are not my politics; he would later describe himself as a "Tea Party Republican," though people weren't calling themselves that yet. I wouldn't have voted for him. But I liked him; he was a nice guy, and so when he asked us all to join his mailing list, I went ahead and wrote my E-Mail down.

Never put your E-Mail address on a political mailing list. Not for a politician you agree with, and certainly not for one whose views you find appalling. No matter how much you like him as a person.

Now, I don't know for sure that Sam or his people sold or gave away my E-Mail address to some group that collects E-Mail addresses for various fringe Republican candidates. It could be just a coincidence. But it's an E-Mail address I don't give out to a lot of people, it's the only E-Mail where I regularly get right-wing spam, and it just so happens that I started getting right-wing spam at that address after giving it to a local right-wing politician. Maybe whatever godforsaken list that address got put on got it from someplace else. But if I had to guess, I'd say they got it from Sam.

In the past, I've gotten spam for Arizona political candidates including Pamela Gorman and Joe Arpaio. But the latest politician who won't leave me the fuck alone is a woman named Calandra Vargas, who is running for Congress in Colorado Springs.

I have never set foot in the state of Colorado.

In fact, I've explained that to Ms. Vargas, or whoever's reading her inbox (if anybody), multiple times, in between clicking the Unsubscribe link at the bottom of her E-Mails.

The campaign's response to my first unsubscribe request, a few weeks ago, was to send me three more fucking E-Mails. When I got them, I clicked the Unsubscribe link again, and sent a reply letting Ms. Vargas, or whoever's reading her inbox (if anybody), know that if I received any more E-Mails from her campaign I would report her to the FCC for violating the CAN-SPAM Act.

I got another E-Mail from the Vargas campaign today.

Calandra Vargas is a politician, so she's probably not used to dealing with people who keep their promises. But I'm a man of my word, and I filed that complaint. And if I hear from her again, I'll file another one.

Here's the FCC's guide to reporting spam. If you're getting unsolicited E-Mails from politicians who won't let you unsubscribe from their lists, they're breaking the law.

The Zappa Kickstarter

Has it really been over two years since my last Zappa post? Well, time to dust off the most-used tag on this here blog.

If you're a Zappa fan, you've probably already heard about the Who the Fuck is Frank Zappa? Kickstarter. But in case you haven't:

Alex Winter (best-known as Bill from the Bill & Ted movies, but more frequently a director these days) is making a documentary about Frank. And as part of the process, he's helping Joe Travers to preserve and digitize the Zappa Vault.

Winter recently explained in Update #18 that the first million dollars raised in the Kickstarter campaign will all go to preserving the Vault, and that he won't put any Kickstarter dollars toward the documentary until and unless it passes $1 million. I think this shows he's got his priorities in order; I definitely want to see the documentary, but I agree with him that the most important step in preserving Zappa's legacy is preserving his work and making sure we don't lose it to degrading tape and film.

The Kickstarter runs through April 8. There are add-on rewards available, too, which don't require you to pledge to the Kickstarter and which will still be available after it ends.

You know, I've always wanted a Zappa for President T-shirt.

Cox Claims to Be Unable to Revoke a DHCP Lease

I've always advocated being kind to tech support people. They have a tough job, it's not their fault you have a problem, and they spend all day dealing with abuse from people who act like it is their fault.

Well, yesterday, for the first time in my life, I cursed out a phone support rep. I'm not proud of it, but in my defense, I'd been talking to support for 90 minutes by that point, and the last 30 of that had been a conversation where this tier-2 rep talked in circles, blamed me for problems with their server, repeatedly said she couldn't help me, refused to listen to my explanations of the problem, and acted like a condescending ass.

Seriously, this is the worst tech support experience I have ever had. Beating out the previous record-holder, the guy who told me that my burned-out power supply wasn't really burned-out, I was probably experiencing a software issue. After I told him there were burn marks on the power connector.

At least that one was funny. The conversation I had with Cox yesterday wasn't funny, just infuriating.

Here's what happened: on Monday evening, when I tried to send an E-Mail, I started getting this error:

An error occurred while sending mail: The mail server sent an incorrect greeting:
fed1rmimpo306.cox.net cox connection refused from [my IP address].

I tried unplugging the modem to see if I'd get a new IP assigned. No luck. I tried turning the computer off and then on again. No luck. I tried sending mail from other devices. Same result.

So on Tuesday afternoon, I pulled up Cox's live support chat to ask for some help.

The rep eventually told me he'd escalate, and that the issue should be fixed within 24 hours.

Just shy of 27 hours later, I pulled up Cox's live support chat again, to ask what the problem was.

The rep -- a different one this time -- quoted me this feedback from the ticket:

Good afternoon, the log below shows the username can send on our servers. This may be a software, device or network issue. Please review the notes and contact the customer.

In other words, they'd tested the wrong thing. The mail server was rejecting my connection, based on my IP address, before my mail client sent my username and password. And Cox's solution to this was...to confirm that my username and password were working.

I explained this to the rep, over the course of 75 excruciating minutes. I demonstrated by disconnecting my phone from my wifi network and sending an E-Mail while connected to my wireless carrier. It worked when I connected to Cox's SMTP server over LTE; the same mail app on the same phone failed when connected to my wifi.

I explained that the mail server was blocking connections from my IP address, and that they needed to either make it stop blocking my IP address or assign me a different IP address.

The rep told me that was impossible, that residential accounts use DHCP, which assigns IP addresses at random.

I told him that I know what DHCP is, and that I wasn't asking for a static IP address, I was just asking for someone to revoke my DHCP lease and assign my modem a new IP address from the DHCP pool.

He told me that the only way to get a new IP address is to disconnect your modem for 24 hours.

I told him that was unacceptable, and I asked if there was anyone else I could talk to.

He gave me a number to call.

The person who answered the phone said she'd escalate to a tier-2 tech. I said, pointedly, that I did not understand why nobody had thought to do that in the preceding 75 minutes.

As it turns out, tier-2 techs are worse than tier-1 techs. Tier-1 techs at least know that they don't know everything, and are willing to ask for help from people who know more than they do. Tier-2 techs think they do know everything, will not ask for help from someone who knows more than they do, and certainly will not listen to a customer who knows more than they do.

Well, probably not all of them. But that was sure as hell my experience with the tier-2 tech I got stuck with.

First, she had the sheer gall to tell me my modem wasn't connected to the Internet.

I told her I could connect to websites, I could receive E-Mail, and that the error message on sending mail was not a timeout, it was a Connection Refused. I added that I was doing this from a computer that was connected to my router by a cable, that I had not accidentally jumped on somebody else's wifi.

She would have none of it. She insisted "We can't see your connection here, so you're not connected." Repeatedly. When I told her that I was clearly connected to the Internet, she just kept telling me that no, I wasn't.

Finally she told me to bypass my router and plug my desktop directly into my modem. I told her that this wouldn't fix anything, because this was happening from multiple devices that all had Internet access. She got huffy and standoffish and told me she couldn't help me if I wasn't willing to do what she asked.

So I did it. I climbed back behind my computer, traced the cable to the router, and swapped it with the one coming from the modem.

Absolutely nothing changed. Except that she said. "Oh. You're running a Linux computer? We don't support Linux."

I responded, "The operating system I am using is not relevant to whether your server is accepting connections from my IP address."

But some reps aren't interested in helping. They're only interested in finding an excuse for why they don't have to help you.

I asked her if there was any way she could determine why my IP was being blocked. I noted that it seemed to be on some sort of blacklist.

She asked if I'd checked whether it was on any public blacklist. I responded that I had, and that it had an expired listing on SORBS from 2013 -- well before it was my IP address; I've only lived in this house since 2014 --, that I hadn't found it in any other blacklist, and that a SORBS listing from over two years ago should not result in my suddenly losing the ability to connect to SMTP two days ago.

She said that if I was on a blacklist, those were handled by third parties and it was my responsibility to get de-listed. I explained that I did not see my IP on any currently-active blacklists, and asked if she could look up what was causing the rejection. She said she couldn't.

I asked if she could reset my IP. She said that the only way to do it would be to shut down my modem for 25 hours. (Already I had somehow lost another hour!)

I told her that was unacceptable, and asked how I could get it reset remotely.

She told me that was impossible, that residential accounts use DHCP, which assigns IP addresses at random, and that the only way to get a new DHCP address is to disconnect your modem for 25 hours.

I told her that it is not impossible, that the same router that provides DHCP leases is capable of revoking them, and that I needed somebody to do that for me.

We went round and round like this for awhile.

At one point, she said, "We can't do that; it's done automatically."

I responded that anything a computer does automatically can also be done manually, and that there is certainly someone in Cox who has the account access to log into the router that is assigning IP addresses and revoke a lease.

She started to explain DHCP to me again -- it was about the fifth time at this point -- and I snapped.

I shouted, "I know how DHCP works; I ran an ISP, for fuck's sake!"

I feel kinda bad about that.

I finally got pushed over to a supervisor -- another twenty minutes on hold -- who tried to tell me that Cox can't help me because they don't support third-party programs like what I'm using, and that if I could send messages from webmail, that's what I should do.

I said, "Are you seriously telling me that Cox does not support sending E-Mail from phones or tablets?"

The supervisor backed off that claim and said that she didn't really understand the technical stuff, that she could send me back to tier 2.

I responded that it had been two hours and I didn't think it was in anyone's best interest for me to continue this conversation, but that if I decided to call back tomorrow, what could I do to get some service?

She said to ask for tier 2 again, and this time ask for a manager.

I'm debating whether I really want to deal with that kind of aggravation, or if I'd be happier just abandoning the Cox E-Mail address that I've been using for fifteen fucking years.

Incidentally, Cox just jacked its prices up by $7 a month. Why is it that every time the cost goes up, the quality of service goes down? I remember the first time they hiked my bill, they dropped Usenet service.

That was in 2009. Since then my bill's gone up $27. My service sucks; several times a day my connection just stops working and I have to restart the modem.

And of course I can't switch to another ISP, because there isn't one available at my address. My "choices", such as they are, are as follows:

  • Pay $74 a month for Cox
  • Steal wifi from a neighbor who's paying for Cox
  • See how far I can get using only my phone's data plan for Internet access

I'm pretty much fucked, like most Americans are on broadband access.

And the hell of it is, even if there were another provider available, all the alternatives seem to be even worse.

I mean, Christ, at least I don't have Time Warner or Comcast.

How I Created and Self-Published My eBook

I wrote Old Tom and the Old Tome in Scrivener. I converted it to an EPUB with Sigil. I tested it using Calibre, FBReader, Nook, Kobo, and Google Play Books. Then I published it on Smashwords and Kindle Direct.

Why a short story?

This one is probably obvious, but just in case it isn't: I started with a short story because when you want to learn a new skill, you want to start small. I didn't want to write something novel-length and then run into a bunch of problems.

A short story's the perfect length to start with. Old Tom and the Old Tome clocks in around 3,000 words, split up into 4 separate sections (cover, copyright, story, About the Author). It has a great structure for learning the ropes.

Of course, you don't have to go the fiction route. In fact, it occurs to me that this blog post would actually convert quite nicely into a short eBook. Hm, food for thought.

Scrivener

I checked out Scrivener because Charles Stross swears by it. It's basically an IDE for writing books; it's quite simply the most advanced and mature piece of software there is for the purpose.

There's a Linux version, but it's abandonware. For a GNU/Linux user such as myself, this is something of a double-edged sword: on the plus side, I get Scrivener for free, where Mac and Windows users have to pay $40 for it; on the minus side, if a system upgrade ever causes it to stop working, I'm SOL. If Scrivener stops working on my system, there's not going to be a fix, I'll be locked into a platform I can no longer use. I could try and see if the Windows version will run under WINE, but there's no guarantee of that.

The good news is that Scrivener saves its files in standard formats, so if it ever stops working I'll still be able to access my content in other programs. The bad news is that it saves its individual files with names like 3.rtf and 3_synopsis.txt.

So Scrivener's pretty great, and I'll probably stick with it for a little while even though there are no more updates on the horizon for my OS -- but there's a definite downside to using the Linux version. (And if they decided the Linux version wasn't going to bring in enough profit to justify maintaining it, what happens if they decide the same thing for the Windows version someday, maybe leave it as a Mac-only product?)

Getting Started

Scrivener's got a great tutorial to run through its functionality; start there.

When you're done with the tutorial and ready to get to work on your book, I recommend using the Novel template, even if you're not writing a novel, because it automatically includes Front Matter and Back Matter sections; the Short Story template does not.

Scrivener's got your standard MS-word-style tools for formatting your work. I didn't use them. Since I was targeting a digital-only release and no print version, I wrote my story in Markdown, which converts trivially to HTML but isn't as verbose as HTML.

Output Formats

Since I went the Markdown route, I found that the best option for output at compile time was Plain Text (.txt). The most vexing thing I found about the output was the limited options under the "Text Separator" option -- the thing that goes between different sections. What I wanted was a linebreak, followed by ***, followed by another linebreak. Scrivener doesn't have any option for that -- your options are Single Return, Empty Line, Page Break, and Custom. Under Custom you can put ***, but there doesn't seem to be any way to put a linebreak on either side of it. So I found the best option was to just do that, and then manually edit the text file it put out and add a linebreak on either side of each one.

If you plan on making an EPUB file, you'll probably want to keep all the "smart quotes" and other symbols that Scrivener adds to your text file. However, if you want to distribute the Markdown file in plain text and want it to be readable in Chrome, you'll need to remove all the pretty-print characters, because Chrome won't render them correctly in a plain-text file (though it'll do it just fine in a properly-formatted HTML file). You'll also want to use the .txt extension rather than .md or .markdown if you want the file to display in Firefox (instead of prompting a download).

You've got different options for converting from Markdown to HTML. Pandoc is a versatile command-line tool for converting between all sorts of different formats, but I don't like the way it converts from Markdown to HTML; not enough linebreaks or tabs for my tastes. There are probably command-line flags to customize those output settings, but I didn't find them when I glanced through the man page.

I thought Scrivener's Multimarkdown to Web Page (.html) compile option worked pretty well, although the version I used (1.9 for Linux) has a bug that none of the checkboxes to remove fancy characters work correctly: you're getting smartquotes whether you want them or not. You also don't want to use *** as your section separator, because Scrivener reads it as an italicized asterisk (an asterisk in-between two other asterisks, get it?) instead of an HR. Similarly, it reads --- as an indicator that the previous line of text is an h2.

So your best bet for a section break is something like

</p><hr/><p>

or

<div class="break">*</div>

(Actually, you don't want to use HR's at all in an EPUB, for reasons I'll get to later, but if you want to distribute an HTML version of your book, it's fine to use them in that version.)

Sigil

Sigil is an excellent, very straightforward tool for editing the EPUB format. I recommend you grab the Sigil User Guide, go through the Tutorial section, and do what it tells you -- even the stuff that generates seemingly ugly code. For example, if you use Sigil's Add Cover tool, you wind up with code that looks like this:

<svg xmlns="http://www.w3.org/2000/svg" height="100%" preserveAspectRatio="xMidYMid meet" version="1.1" viewBox="0 0 900 1350" width="100%" xmlns:xlink="http://www.w3.org/1999/xlink">
  <image width="900" height="1350" xlink:href="../Images/cover.jpg"/>
</svg>

If you're like me, looking at that makes you wince. And your instinct will be to replace it with something simple, like this:

<img src="../Images/cover.jpg" alt="Cover" />

But don't do that. Removing the <svg> tag, or even removing those ugly-ass inline styling attributes, will prevent the cover from displaying correctly as a thumbnail in readers.

(If there is a way to clean up that ugly <svg> tag and still have the thumbnail display correctly, please let me know; I'd love to hear it.)

Now, Sigil is for the EPUB2 format. It doesn't support any of the newfangled fancy features of EPUB3, and neither do most readers at this point. You're going to want to keep your styles simple. In fact, here's the entire CSS file from Old Tom and the Old Tome:

img {
  max-width: 100%;
}

h1 {
  text-align: left;
  text-indent: 0;
  font-size: 200%;
}

.noindent {
  text-indent: 0;
}

.break {
  margin: 1em 0;
  text-align: center;
}

Oh, and that last class, .break? That's there because some readers ignore <hr/> tags. FBReader on Android, for example, will not display an HR. No matter how I tried formatting it, it wouldn't render. Not as a thin line, not even as a margin. If you use an <hr/> tag in your EPUB file, FBReader will act as if it isn't there.

So I wound up cribbing a style I saw in Tor's EPUB version of The Bloodline Feud by Charles Stross:

<div class="break">*</div>

where, as noted in the above CSS, the .break class centers the text and puts a 1em margin above and below it.

(Some readers won't respect even that sort of simple styling, either; Okular parses the margin above and below the * but ignores the text-align: center style. Keep this in mind when you're building an EPUB file: keep the styles simple, and remember that some readers will straight-up ignore them anyway.)

(Also: this should go without saying, but while it's okay to look through other eBooks for formatting suggestions and lifting a few lines' worth of obvious styling is no problem, you don't want to go and do anything foolish like grab an entire CSS file, unless it's from a source that explicitly allows it. Even then, it might not be a good idea; formatting that works in somebody else's book may not be a good idea in yours.)

Testing

Once my EPUB was done, I tested it in a number of different readers for a number of different platforms at a number of different resolutions. There are a lot of e-readers out there, and their standards compliance is inconsistent -- much moreso than the browser market, where there are essentially only three families of rendering engines.

If you're used to using an exhaustive, precise set of CSS resets for cross-browser consistency, you probably expect to use something similar for e-readers. Put that thought out of your head; you're not going to find them. The best you're going to get are a few loose guidelines.

Consistency across different e-readers just isn't attainable in the way that it is across different web browsers. Don't make that a goal, and don't expect it to happen. You're not looking for your eBook to display perfectly in every reader; you're just looking for it to be good enough in a few of the most-used readers.

For example, I found that the margins the Nook reader put around my story were fine on a tablet, but I thought they were too much on a phone. If I'd wanted, I could have futzed around with media queries and seen if that was possible to fix -- but I decided no, it was Good Enough; it wasn't worth the effort of trying to fix it just for that one use-case.

Smashwords

Smashwords has a useful FAQ on self-publishing, and also provides a free EPUB download called the Smashwords Style Guide.

If you already know HTML, here's what I can tell you about the Smashwords Style Guide: read the FAQ at the beginning, then skip to Step 21: Front Matter. Because it turns out that Steps 1-20 are about how to try and make Microsoft Word output clean HTML and CSS. If you already know how to write HTML and CSS yourself, there is of course absolutely no fucking reason why you would ever want to use Word to write your HTML and CSS for you.

It's probably a good idea to read the rest of the guide from Step 21 through the end, but most of it's pretty simple stuff. To tell the truth, there are exactly two modifications I made to the EPUB for the Smashwords edition: I added the phrase "Smashwords edition" to the copyright page, and I put ### at the end of the story (before the back matter). That's it.

For all the time the guide spends telling you how easy it is to fuck up and submit a file that will fail validation, I experienced none of that. My EPUB validated immediately, and it was approved for Smashwords Premium the next day (though Smashwords says it usually takes 1-2 weeks; the quick turnaround may have been a function of how short my short story is).

Description

Most of the forms you fill out on the Smashwords Publish page are well-documented and/or self-explanatory. The Long Description and Short Description fields are exceptions; it's probably not entirely clear, at a glance, where your listing will show the short description and where it will show the short one. So here's how they work:

On Smashwords, your book's listing shows the short description, followed by a link that says "More". When you click "More", the long description appears underneath the short description.

  • Smashwords default
  • Smashwords expanded
Smashwords

Kobo and iBooks don't appear to use the short description at all. Your book's listing will show the first few lines of your long description, followed by an arrow (on Kobo) or a "More..." link (on iBooks), which you can click to expand to show the entire description.

  • Kobo default
  • Kobo expanded
Kobo
  • iBooks default
  • iBooks expanded
iBooks
Aside: Why the fuck does it do this?
Look at all that whitespace. What's the point of hiding the text?

Inktera shows the long description, followed by an HR, followed by the short description.

Inktera
Inktera

And Scribd just shows the long description.

Scribd
Scribd

Lastly, Blio doesn't show either description of my book. Clearly this is a problem and I should probably talk to tech support about it.

As you might expect, the various different ways the different sites use the two descriptions create a bit of a conundrum: how can you write a short description that is the primary description on one site and a long description that is the primary description on four other sites, and write the two descriptions so that they don't look pointless and redundant when you put them side-by-side?

I haven't come up with a good solution for this in the case of Old Tom yet.

Amazon

It turns out the Amazon conversion is really easy. I just set up an account at kdp.amazon.com, filled out the forms, uploaded the cover and the EPUB file, and Amazon's automatic conversion software switched it over to Kindle format with no trouble at all. Amazon's even got a really nice online reader that lets you check how your file will look in the Kindle Reader on various devices (Kindle Fire HD, iPhone, iPad, Android phone, Android tablet, etc.).

I only hit one speed bump when I submitted to Amazon: after a few hours, I got an E-Mail back saying that the book was freely available online (because of course it is; I've posted it in multiple places, including this site). Amazon required me to go back through and reaffirm that I am the copyright holder of the book -- which meant just going through the exact same forms I'd already filled out and clicking the Submit button again. It was a little bit annoying, but not time-consuming and mostly painless, and the book appeared for download on Amazon shortly after.

And that's it.

The hardest part of self-publishing an eBook was finding the time, figuring out what resources to use, and learning the EPUB format. And now that I know what resources to use and understand the EPUB format, it doesn't take nearly as much time. For my next book, I'll be able to spend a lot more time writing and a lot less time formatting. Hopefully this blog post has helped you so that you can do the same.

The Return of MST3K -- Part 4: The Old Cast

A lot of the discussion about the MST3K reboot has centered around fans who want to see the old cast come back. Joel has said he'd like to bring them on as writers, and to appear in cameos. But the thing is, most of them don't seem to want to do it.

Here's what Mike, Bill, and Kevin said when Chris Ford asked them about it in a Diffuser interview last year:

Speaking to Wired, Joel Hodgson mentioned that he’d consider revisiting ‘MST3K.’ Is that something you’d consider?

Nelson: I probably wouldn’t. It’s just sort of a personal preference. I mean, I already have RiffTrax going, and that’s taken my last seven years, and I’m fond of how that’s working. So there’s just no need, I feel. And I wonder about revisiting something like that. But who’s to say that it couldn’t be. You know, it survived a lot of changes, so it could start again. Who knows?

Corbett: It would depend completely on the arrangement. I loved doing ‘MST3K,’ was honored to be part of such a great show and had a wonderful time during my years there. But the owners of the show cut me off as soon as it was over. Haven’t made a cent from it since I filmed my last show in 1999, and all attempts to change that arrangement have been rejected. A few attempts to revive ‘MST3K’ have already failed because of such issues. So I’d be skeptical.

Murphy: You know, I’m really not interested. As I said, where I am right now, I’m really loving what I do. We’re having great fun with RiffTrax, and to go back and do that again would … it has this ‘Return to Gilligan’s Island’ feel to it. You know, they did that again, and it just looked sad and lame because it was the same characters, except they’d gotten old. Or they’d substituted in new characters, and it didn’t really feel right. I think they had a fake Ginger in there. I don’t remember, but it just never felt right. It never felt like the real thing. We made that real thing for 10 years, so I’m really not interested in going back. It’s like going back down to your basement from when you were a kid when you’re an adult and making the same kind of car models that you did when you were a kid. It just doesn’t ring true to me anymore. What I’m doing right now with Mike and Bill at RiffTrax is a blast. We’re having a great time doing it, and people seem to like it. So I’m happy to do that. And if Joel wants to do the show again, God bless him, and I hope he has a lot of fun doing it. But I think I’m happy where I am.

Since the announcement of the Kickstarter, Mike and Bill have both reiterated their non-involvement, as have Mary Jo and Josh. Trace has ruled out even showing up in a cameo.

Joel addressed this in a Kickstarter update:

What about everyone else? Are the other MST3K writers and actors coming back?

This is the hardest question to answer, because there are several moving pieces involved.

Right now, I don't know who will agree to come back and work on the next season of MST3K… but if the Kickstarter is successful, everyone will be invited to take part.

Until yesterday, I wasn't even sure this whole Kickstarter idea would work. I've reached out and spoken with some of the old cast and writers, but until I knew how much money we'd have to work with – and when we'd start writing and shooting – there was just no way to make the specific offers that I hope will bring many of them back.

Plus – as many of you know – so far, the old cast haven't been compensated as well as they (or I) might have liked. I wish I could go back and fix that, but if I'm going to ask them to participate in the next season, I want to be certain we can pay them what they deserve this time. As soon as we pass our initial goal of $2,000,000, I'm hoping to start making the invitations official, and I hope some of them will be able to join us before we start working in January.

And guys, as much as I'd like to see the old cast and crew back, given their responses so far I really don't think it's going to happen.

I think it's great that Joel is talking about royalties. I believe that Shout! Factory should pay royalties to all the former writers and cast members, not as leverage to get them to participate in the new show but because it's the right thing to do.

But while royalties have certainly been a sticking point for some of the former cast members, I don't think they're the only reason people are holding out on participating in the new show. Look at what Mike and Kevin said in the Diffuser interview I quoted above -- it doesn't sound to me like they're holding out for a better deal; it sounds like they just plain don't want to do it. And Josh has said he's working on two documentary films, so it sure sounds like his non-participation is because he's too busy with other projects.

Aside from what they've said in public, I can't speak for individual cast members' motivations. Mary Jo has complained about the lack of profit participation in the past, while Frank has said it doesn't bother him. I've seen a lot of fans assume that the reason the old cast members aren't interested in being part of the new show is because of their lack of profit participation, and that if Joel gives them a good offer they'll be onboard after all -- but I think that's fans' wishful thinking. I've seen no hard evidence to back it up; the only thing I've seen that even looks like a "maybe" is Bill's "It would depend completely on the arrangement" in that Diffuser interview.

There are other reasons why people might not want to participate -- Mike and Kevin have suggested that they're just plain not interested. As for other former cast members, the geographical issues that brought an end to Cinematic Titanic are still present; the simple fact is that many of them don't live in the place where the new show is going to be produced. Even if, say, Mary Jo gets a profit-sharing offer that she's agreeable to, she still lives in Austin.

In short, I think that while fans are absolutely right to call for a new royalty agreement for every former cast member and writer on MST3K, they should also tamp down their expectations that this will lead to the old team returning for the new show. I just don't think that's gonna happen. Look forward to the new show for what it is, not for what you wish it was going to be.


I think that's it for now on the subject of the upcoming MST3K relaunch. The Kickstarter page, one more time, is bringbackmst3k.com; I haven't pledged yet but I plan on throwing in at the $35 level. That'll get you the first episode of the new series, plus three classic episodes as DRM-free downloads. (The three classic episodes are not currently listed in the Rewards section, but Joel said in an update that they're being added to the $35 tier as a bonus. He has not yet specified which three episodes they will be.)

And on the subject of compensation for the cast and crew of the old series: Rifftrax has just started selling MST3K episodes; as of this writing they have Mitchell, Pumaman, Final Sacrifice, and Future War, each priced at $10, with another episode going up for sale every Monday. And here's the most important part:

A significant share of the profits of all MST episodes sold on RiffTrax will be paid out directly to ALL the principal cast members of MST – Mike, Joel, Kevin, Bill, Mary Jo, Trace, Frank, Josh and Bridget. We feel it’s important that the original artists benefit directly from their awesome work. So if you want to support them, buy your MST here on RiffTrax!

There's no mention of Paul Chaplin; I wonder if that's an oversight, or if they don't know how to get in touch with Paul these days or what. I hope he gets a cut too.

At any rate, much as I love the DVD sets, I have to recommend from here on in that if you want to buy old episodes of MST3K, you buy them through Rifftrax, because right now that's the only way the cast and writers get a percentage of your purchase dollars. Again, I'm hoping that changes and the series' new owners at Shout! reach a deal to give them a piece of all purchases and streaming revenue. But for now, they only get paid if you buy them through Rifftrax. So do that.

Update 2017-10-31: Trace and Frank have confirmed that Shout! Factory pays royalties. Please feel free to purchase your MST3K from the source of your choosing, and rest assured that the original cast members are getting a cut. See my MST3K and Royalties post for more information.

The Return of MST3K -- Part 3: Behind the Camera

The main thing that led me to make this series of blog posts was something Mothra said over on Brontoforumus:

Haven't had time to mention how unbelievably delighted I am that MST3K is coming back under Joel. I adore Mike, but if Rifftrax has shown me anything, it's that a good amount of his MST3K-era comedy was touched up by the writers.

There's certain Rifftrax that are wonderful return-to-form gems, like Jack the Giant Killer or Mike/Fred Willard's Missile to the Moon, but nothing's quite captured the magic for me like the Cinematic Titanic ep Joel, Pearl, Frank and Trace did on The Alien Factor. So, I've got a lot more faith in Joel as a showrunner than Mike.

The Writers

Mothra's got something here: yes, Rifftrax (usually) features Mike, Kevin, and Bill, but that doesn't mean it's the same writing team as the Sci-Fi Channel years. The Sci-Fi era wasn't just Mike, Kevin, and Bill; it was also Mary Jo and Bridget (who have some Rifftrax shorts of their own), and Paul Chaplin too. Before the Sci-Fi era, Trace and Frank were in the writers' room too, and in the early days so were Josh and Jim.

There was always continuity. When Joel left the show, the rest of the writing team stayed constant, with head writer Mike Nelson taking over as host. (It does bear noting that, while Mike usually got the Head Writer credit, there was little that set the Head Writer apart from the rest of the writers; the show was collaborative to the core.) When Frank left the show, the rest of the writing team remained constant. And when Trace left, Bill joined, and the show moved to the Sci-Fi Channel, the rest of the writing team remained constant. As much as the show changed onscreen, very little changed in the writers' room.

I think that's a big part of why, even with all the casting changes over the years, MST3K still felt like it was the same show at heart.

And, as I've said, that's a big challenge the new show faces: not just that it's got a new team onscreen, but that it doesn't have any of the old writers onboard except for Joel. Joel has said he'd like to invite the old writers back to contribute, but that doesn't look very likely; I plan on getting into that in the next post.

The Movies

But aside from the writing team, I think there's something else that makes Rifftrax fundamentally different from MST3K. And it's precisely the thing that makes Rifftrax popular and profitable.

And that's that Rifftrax makes fun of Hollywood blockbusters.

As of this writing, here's what the top 10 most popular Rifftrax commentary tracks are, as listed on the rifftrax.com homepage:

  1. Twilight
  2. Lord of the Rings: Fellowship of the Ring
  3. Twilight: New Moon
  4. Jurassic Park
  5. Harry Potter and the Sorcerers Stone
  6. The Matrix
  7. 300
  8. Star Wars Episode I: The Phantom Menace
  9. Star Wars Episode IV: A New Hope
  10. The Dark Knight

And here's the thing: I've seen those movies. Well, more precisely, I've seen seven out of the ten, and I've heard of the other three.

And hey, that's okay! Hollywood blockbusters can be just as cheesy and bad as the B-movies MST3K used to do. Or at least as much fun to make fun of. (I mean, I don't think anybody's actually saying Lord of the Rings is equivalent to Manos: Hands of Fate.)

There's a definite draw to that. I can say, with some confidence, that if I ever watch Twilight or Teenage Mutant Ninja Turtles (2014), I'll watch the Rifftrax version. It's added a whole new category to my viewing habits: "I'll see it in the theater," "I'll wait until I can watch it at home," and now "I'll wait for the Rifftrax."

But I think a big part of the joy of MST3K was the sheer obscurity of its selection. While it had a few relatively well-known titles over its run (Godzilla vs. Megalon, Gorgo, Gumby, Hamlet), tuning in to the show usually meant seeing something I'd never seen before.

The Info Club recently had a discussion thread titled What Movies Should the Reboot Riff? From my perspective, that's an unanswerable question. The reboot should riff movies I have never heard of.

Rifftrax taps into the delight of making fun of movies we've already seen. MST3K was, usually, more about the delight of discovery. I know what Twilight is, but if not for MST3K I would never have heard of The Magic Voyage of Sinbad.

Joel gets that, too; he noted in his recent Reddit AMA:

We love The Room, but I think MST3K does best when we steer away from movies that are famous for being bad. That's why we never did "Plan 9 From Outer Space" during our original run.

To me, watching Mystery Science Theater is kind of like going to a haunted house on the edge of town with your funny friends. It works best if you don't know what's in there.

And I've spent a lot of time talking about Rifftrax's emphasis on familiar blockbusters -- but that's not entirely fair, because Rifftrax actually does a lot of those more obscure films. Especially the shorts. Many of which are available on Hulu (inconveniently and counterintuitively split up into Rifftrax Shorts and Rifftrax Features, even though some of the "features" are just collections of shorts).

Magical Disappearing Money does a perfect job of evoking that old "Where did they find this?" vibe of MST3K. So do the Christmas shorts and the baffling Norman Krasner series.

As far as feature films, I think Kingdom of the Spiders is indistinguishable from vintage MST3K. And, while House on Haunted Hill is not exactly an obscure film, it's the kind of movie the old MST3K would have done too.

I suppose there is a downside to MST3K's grab bag approach: and that's that sometimes, those old movies are just boring and drab. I must admit that, over the past couple of years, there have been several times I've pulled up an old episode and fallen asleep in the middle of it. (Lost Continent, looking in your direction.) Some of those movies are just excruciating.

Then again, you can say the same for the blockbusters Rifftrax does. I watched Attack of the Clones and, even with the riffs, it was just a long, boring, painful slog. By the end I realized something I hadn't really thought about before: MST3K really did us a favor by trimming every movie down to under 90 minutes.

Cinematic Titanic

If you accept the premise that MST3K wasn't about the puppets and the satellite and the host and the Mads and the plot, that it was really about the writers and the movies they picked, then I think that leads to a clear conclusion: the closest thing we'll ever get to a revival of MST3K as it was has already been and gone, and it was Cinematic Titanic.

(Leastways, unless Rifftrax starts doing riffs of old B-movies with Mike, Kevin, Bill, Bridget, and Mary Jo. In fact, Rifftrax should totally do that; somebody should start a Twitter campaign.)

CT reunited five of the original writers and stars of MST3K to make fun of similar obscure, cheesy movies. It ran for six years, released a dozen movie riffs, and, most excitingly, went on tour.

(A personal aside: my first date-as-a-couple with the woman who would become my wife was the Mesa showing of East Meets Watts. It was a great show, a delight to meet the cast, and I treasure my autographed copy of Doomsday Machine.)

But CT was unsustainable, simply for logistical reasons. As they noted in the E-Mail announcing that it was winding down:

We feel that with any project there is a time to move on and as 5 people living in 5 different cities with different lives and projects, it has become increasingly difficult to coordinate our schedules and give Cinematic Titanic the attention it requires to keep growing as a creative enterprise and a business.

That, in and of itself, is a reason you can't go home again: because all those writers who made the show what it was just plain don't live in the same place anymore. And I think that's a big reason why fans who are holding out hope that the old team will get back together are just setting themselves up for disappointment -- but I'll get into that in my next post.

By the way, CT is still available on Hulu for the time being. You should watch those episodes while you still can.