Category: Stream of Consciousness

Simone Wants to Stick Around

2012-12-12, 5:36 pm
Categories: Comics, Stream of Consciousness

The other night I pondered whether Gail Simone would stick with DC or go off and do her own thing. Well, per her tumblr:

I am not giving up on the idea of a major trans character in an ongoing mainstream title without a fight. I want a clear, unambiguous trans character in a prominent, unambiguous and unapologetic role THIS YEAR.

Sure sounds like she's planning on continuing with DC. Or, if not them, moving over to Marvel.

As I indicated the other night, I have mixed feelings about this. There's a part of me, a big part, that loves seeing prominent creators leave DC and Marvel behind and go do their own thing.

But on the other hand, DC and Marvel are still important, their characters are still important, and they're still well-known and accessible (well, commercially, if not narratively). Simone's made a career of bringing more diversity to the DC Universe, and the American comics industry is legitimately better for it.

It bears adding that the most prominent transgender character in the DC Universe right now is probably Shining Knight in Demon Knights, by Paul Cornell, Diógenes Neves, and Bernard Chang. Cornell's done a great job of picking up the baton from Grant Morrison, taking Sir Ystin in a different but altogether natural direction following his introduction in Seven Soldiers. Demon Knights is, itself, quite possibly the most diverse book in the entire superhero genre, but Cornell has pulled off the rather neat trick of making the cast feel organic; each character fits and none ever feels like a token.

(And, per The Outhousers, Cornell's also been one of Gail's most vocal defenders since the announcement of her firing.)

I've got no idea what Gail's got in mind with a book starring a transgender character. I wouldn't bet against a Shining Knight solo book at DC, but there are plenty of other possibilities. Given the Big Two's penchant for recycling characters ("Green Lantern, but black", "Blue Beetle, but Hispanic", "Batwoman, but a lesbian", or, for that matter, "Shining Knight, but transgendered") I'd expect it to tie into an existing brand -- maybe someone from the Batman or Superman family, though I'm thinking it would really be quite appropriate to have it be a character tied into Wonder Woman -- not only has Gail written Wonder Woman before, but Wonder Woman's been the superhero genre's beacon for nontraditional sexual mores since 1941.

It'll be interesting to see what she's got up her sleeve and whether she can get DC or Marvel to publish it.

But in the meantime, she does have some creator-owned work in the pipeline: the Kickstarter-funded Leaving Megalopolis with Jim Calafiore, and something called Field Trip with Amanda Gould, to be published by Mark Waid's Thrillbent.

Speaking of DC Management

2012-12-10, 7:20 pm
Categories: Comics, Stream of Consciousness

Gail Simone fired from Batgirl, implies it's because she refused to fridge somebody.

All things considered it's not the major shakeup that Berger's departure is, but it's a shabby damn way to treat a beloved writer (and, not to put too fine a point on it, one who sells books).

On the whole, Simone's been a pretty damn good soldier despite all the bullshit DC's heaped on her and its other creators in the past year and a half. She's expressed some dissatisfaction at being taken off Suicide Squad, and with editorial decisions concerning Firestorm, but she hasn't engaged in anything approaching the (honestly pretty mild) complaints of Roberson, Langridge, or Wood, let alone the gleeful adolescent bridge-burning of Rob Liefeld. (I know, I know -- "gleeful adolescent ____ by Rob Liefeld" is a tautology.)

Regardless, she'll land on her feet. Maybe it'll be at DC and maybe it won't -- on the one hand, I'd love to see her do something creator-owned over at Image or one of the other publishers; on the other, she's probably the most visible example of a dissatisfied DC fan working to change things from the inside, and I think it would be a real blow to lose her in that capacity.

Ah, who the hell am I kidding -- you know what my vote is. Keep on shooting yourselves in the foot, Warners -- I'm happy to follow your disillusioned creators to whatever creator-owned work they cook up.

...Well, maybe not Liefeld.

Greatest Generation

2012-12-08, 10:40 pm
Categories: Stream of Consciousness

Just got word that my great-uncle, Garth Brown, passed away today. (No condolences needed -- he was 92 years old and had been sick a long time.)

Garth served on the USS Oklahoma. It was hit with three torpedoes on December 7, 1941. He was thrown from the ship, swam up through a layer of oil, and survived clinging to driftwood.

As it happens, that was the first of three times he would survive a sinking ship. (He wasn't much for swimming after that; I never saw him in a pool.)

FDR called it "a date which will live in infamy". And I suppose it did, for awhile anyway. But most people my age don't know what the hell the significance of December 7 is -- probably don't even know who Roosevelt was, and only know what Pearl Harbor was because of that godawful Michael Bay movie.

(I know, I know -- "godawful Michael Bay movie" is a tautology.)

Anyhow. The local paper usually ran a story on Garth every December 7; there's a good one from two years ago over at azcentral.

Funny that he made it to one more Pearl Harbor Day before he passed. Not "funny" as in laughable, of course, but "funny" as in one of those weird little coincidences that make you stop and think for a minute.

They call Garth's generation the Greatest Generation -- and it's because of guys like Garth that they call it that. The ones who beat back the Great Depression, and beat back the Nazis.

Uncle Garth -- you were something else, man. One of the bravest souls it was ever my pleasure to know. Godspeed, and rest in peace.

And to those of you reading this -- if you get the chance, say something nice to a veteran.

Netflix Does Something Stupid and Annoying

2012-12-06, 11:57 pm
Categories: Stream of Consciousness, TV

So I just went to fire up some old Doctor Who, only to find that every single Doctor Who serial had been purged from my Netflix queue.

So I thought, What the hell? Has Doctor Who been removed completely from Netflix Streaming?

It turns out that no, it hasn't, they've just decided to make it way more difficult to find and navigate!

See, now instead of having the old Doctor Who serials split up by title -- Horror of Fang Rock, Caves of Androzani, and so forth -- they've combined them all under a single heading, Classic Doctor Who.

Which may sound like a good idea -- and it would be, if it were put together by someone with a basic understanding of how human beings locate things! -- but sadly, it was put together by complete goddamned morons.

See, instead of being sorted by serial titles, the series is split up into 18 "collections". Numbered. 1-18. And you have to click on the number of the collection to see what serial's actually in it.

Which might make some sort of sense if they had the complete series split up into seasons. Or had at least one serial from every season. Or, I don't know, even put them in the right damn order. But they don't. Here's the order (Edit 2013-01-01: The order has been changed since this original posting; go to the end of the post for the current order):

  1. The Carnival of Monsters [sic] (1973)
  2. Horror of Fang Rock (1977)
  3. Pyramids of Mars (1975)
  4. Spearhead from Space (1970)
  5. The Androids of Tara (1978)
  6. The Ark in Space (1975)
  7. The Aztecs (1964)
  8. The Caves of Androzani (1984)
  9. The City of Death [sic] (1979)
  10. The Curse of Fenric (1989)
  11. The Green Death (1973)
  12. The Leisure Hive (1980)
  13. The Mind Robber (1968)
  14. The Pirate Planet (1978)
  15. The Power of Kroll (1978)
  16. The Ribos Operation (1978)
  17. The Three Doctors (1972)
  18. The Visitation (1982)

And it took me actually listing them all out where I can see them all at once, but now at least I understand how they're sorted: they're alphabetical, sort of. Except nobody bothered to add the convention of dropping articles from the sort, so serials beginning with "The" (which is nearly all of them) appear under "T".

(Except The Carnival of Monsters -- probably because that is not actually the title of the episode; it's just called Carnival of Monsters, which does fit the sort. Which indicates that maybe the database has both a display title and an indexing title for each episode -- but who the hell even knows. Especially since City of Death isn't actually called The City of Death, either.)

So, want to see if Netflix has a given Doctor Who serial, out of the 128 extant serials that make up the original series? All you have to do is poke around half-blindly through 18 not-quite-alphabetically-sorted collections and see if it's there! That is, if you know they're sort-of-alphabetical -- which you probably won't even notice, looking at them one-by-one. (Actually, I'm going to go add a review to the page right now that explains that, with the full order -- hopefully it'll help somebody.) If you don't notice, well, just click on all 18!

Amazon, meanwhile? If you type in "Doctor Who: The Caves of Androzani", the first match is Doctor Who (Classic) Season 21, which does in fact have a streaming video of The Caves of Androzani. They don't have as many episodes available for streaming as Netflix does, and some of them cost money to watch even if you have a Prime account. But they're sure the hell organized way better.

Of course, the easiest way to find any of these episodes, without worrying about availability, nonsensical navigation, or the possibility that you'll just find them all removed from your queue one day without notice, is just to torrent the damn things.

Kinda makes you feel like a chump for paying good money for Netflix and Amazon Prime, don't it?

Edit 2013-01-01: The order has been changed; they're now in chronological episode order:

  1. The Aztecs (1964)
  2. The Mind Robber (1968)
  3. Spearhead from Space (1970)
  4. The Three Doctors (1972)
  5. The Carnival of Monsters [sic] (1973)
  6. The Green Death (1973)
  7. The Ark in Space (1975)
  8. Pyramids of Mars (1975)
  9. Horror of Fang Rock (1977)
  10. The Ribos Operation (1978)
  11. The Pirate Planet (1978)
  12. The Androids of Tara (1978)
  13. The Power of Kroll (1978)
  14. The City of Death [sic] (1979)
  15. The Leisure Hive (1980)
  16. The Visitation (1982)
  17. The Caves of Androzani (1984)
  18. The Curse of Fenric (1989)

So at least, if you were to for some reason want to watch a small selection of 25 years' worth of Doctor Who in chronological order, you could do that now. But it's still a legitimate hassle to find episodes by title, like a normal person.

Best/Worst of Times, etc.

2012-12-05, 8:53 pm
Categories: Comics, Movies, Stream of Consciousness

Yesterday I talked about Karen Berger's imminent departure from Vertigo, the disappointment I feel as a Vertigo fan, and the excitement I feel wondering what she'll do next.

And you know, that's kind of the perfect metaphor for what it feels like to be a comics fan in general right now. There's just so much bullshit -- but there's so much gold, too.

Since the 1940's, the American comics industry has gone through a regular, 20-year boom-bust cycle. We're in an odd-numbered decade, so if the pattern continues that means we've got another bust coming. And while I think Marvel and especially DC are full-speed-ahead on stupid management decisions to cause the next one, this one's not going to be like the others -- it's going to be smaller, it's going to be confined to those two major publishers, and it's going to happen even as their characters and brands increase in popularity.

Now, both companies seem dead-set on repeating most of the worst excesses of the 1990's -- variant covers, new #1's, big summer crossovers, increasingly muddled continuity reboots, Jim Lee -- and don't seem to get the idea that this is going to go much like it did in the '90's, with a brief boost to sales followed by a crash as everybody gets sick of this crap. DC, in particular, is currently being run by bean counters at Warner who think their best shot at relevance is pushing the Reset button on their universe again and putting out prequels to Watchmen.

Even still, DC's still managing to put out some great books. Dial H is fantastic, Demon Knights is a joy, and Animal Man and Frankenstein were both pretty great until they muddled into an unnecessary crossover. I really don't think it's a coincidence that the best books coming out of DC are the ones that are subject to the least corporate interference and are the least subject to the whims of shared-universe continuity.

And that's just DC proper. Take the the industry as a whole and there's a stunning variety of wild, beautiful, original books -- Saga, Chew, Manhattan Projects, The Massive, to name just a few. There are even some wonderful licensed books -- Adventure Time, Popeye, Godzilla: The Half-Century War. Prophet shows that even a 1990's Liefeld property can turn into a brilliant, offbeat science fiction series worthy of classic Heavy Metal. Dark Horse Presents demonstrates the depth and breadth of modern comics at its greatest, at 80 pages for $8 a month.

And that's just the new stuff. As far as classic comics, there's an embarrassment of riches. When I gave my cousin a copy of The Completely Mad Don Martin -- a collection of the cartoonist's entire Mad output, in two oversized hardcover books in a slipcase, weighing in at about 25 pounds -- my uncle looked at it and said "Did you ever think you'd see anything like this?" The mere idea that, in two generations, Mad has gone from being dismissed as trash to being given reverential treatment.

There's so much in print -- Floyd Gottfredson's Mickey Mouse, Carl Barks's Donald Duck and Uncle Scrooge, exhaustive collections of Peanuts, Calvin and Hobbes, Bloom County, Terry and the Pirates, Dick Tracy, Prince Valiant, Mary Perkins On Stage, Pogo, Tintin. You can get the complete Bone in a single black-and-white volume or a dozen color trades from Scholastic. Love and Rockets is collected in paperbacks or hardcovers, pick your Poison River. The other day I was at the library and saw a huge hardback collection of Walter Simonson's entire Thor run (only the worthy may lift it). There are glorious hardcover collections highlighting the work of Kirby, Ditko, Wood, Davis, Kurtzman, Wolverton, Eisner -- the choices are staggering.

And that's just the stuff that's in print.

You wanna talk about digital? You can buy the entirety of Quantum and Woody right the fuck now (and there's a rumor of two finished-but-never-published issues on the way too). Sure, digital comics has its issues -- DRM and the inevitable platform fragmentation and compatibility problems that DRM causes -- but it's still early days and that stuff'll get ironed out.

And that's just the stuff you have to pay for. Head on over to a site like Digital Comic Museum and you can gaze upon thousands of public-domain comics, completely free of charge.

And that's just the stuff that's available legally.

You want a comic that, for various rights reasons, will never be reprinted? Jack Kirby's 2001? Moore, Bissette, Veitch, et al's 1963? The infamous Air Pirates Funnies? Can't stop the signal; they're easier to find now than they were when they were in print.

So, all in all? It's plenty easy to get frustrated with the direction DC and Marvel are going in. It's easy to foresee their readership tanking and bringing on another crash and panic. But Avengers and Dark Knight Rises are still Hollywood blockbusters; their publishers aren't going away -- and even if they vanished overnight, there would be so much good stuff left to fill the vacuum that I, for one, wouldn't miss them...much.

Truth is, for all the bullshit, I don't think there's ever been a better time to be a comics fan -- not even the 1940's.

And I shouldn't have to say this, but just to be perfectly clear: I am absolutely not advocating illegally downloading comics that are commercially available. Support publishers you like. Support creators you like. Support your local comic shop.

And if you download a work that's out-of-print, or otherwise acquire a book that doesn't benefit the creators or their families, it's a good idea to buy something that does. You like 2001 (or, for that matter, any of Kirby's Marvel work)? Buy Kirby: Genesis and send some money his family's way. Like 1963? Pick up some Swamp Thing trades, and keep an eye out for Bissette's Tales of the Uncanny.

Or whatever it is you're into. Bottom line? Find something you love, support the people who make it happen, and tell your friends.

Berger

2012-12-04, 2:13 pm
Categories: Comics, Stream of Consciousness

Vertigo isn't what it was.

Have they had a big hit since Y? I can't think of one. Fables is still ongoing (along with spinoff Fairest), and they put out a new edition of Sandman every two years (with a new miniseries coming!), but I can't think of a new series becoming a real barn burner since 2002.

Not to say there aren't series that deserve it. Northlanders, Scalped, DMZ, American Vampire, iZombie, and my personal favorites, Sweet Tooth and The Unwritten -- they've all been critical successes, and they've all stuck around awhile (the shortest run of the lot was iZombie's 28 issues). But for a long time I've gotten the impression that the bean counters aren't happy with the results.

From what I understand, Vertigo's contracts are a lot more restrictive than they used to be -- "creator-owned" in a technical sense but giving a whole lot of the rights over to DC.

And lately, they've been shutting down popular Vertigo series to reintegrate popular characters back into the DC universe -- Swamp Thing and John Constantine are the two biggest examples.

So when I read yesterday that Karen Berger was stepping down as EiC of Vertigo, it came as a blow but not a surprise.

It's not an exaggeration to say that Karen Berger changed the American comics industry. She put Alan Moore, Steve Bissette, Rick Veitch, and John Totleben on Swamp Thing; she brought Moore and David Lloyd's work on V for Vendetta into the DC fold and gave them the opportunity to finish it. And then she put Neil Gaiman on Sandman.

That would have been one hell of a résumé all by itself. But then: Vertigo. Sandman wasn't just an amazing and unique book -- it led to an entire imprint based on the premise of amazing and unique books. It reminded comics fans -- and showed new fans, perhaps for the first time -- that comics can be anything. And that "mature" can actually mean "mature" instead of being a euphemism for "blood and guts and cursing and maybe titties".

It's been just shy of twenty years, and Vertigo's influence -- and Karen Berger's -- can't be overstated. It changed the way people looked at comics and consistently produced some of the best comics on the stands and in the bookstores.

But I get the distinct impression that current DC management doesn't care. And I'm not talking about Didio, Johns, Lee -- I think they all like Vertigo just fine. But DC is, increasingly, not a company run by comics creators, or people who know or care about comics. Warner's in charge. Warner doesn't want critically-acclaimed books with mediocre sales, it wants crossovers and prequels and sequels and reboots and corporate synergy and brand leveraging.

So Berger's out. And on the one hand, it's a shame to see her go -- I really think the writing's on the wall for the entire Vertigo line at this point. Fables will keep going because it's a moneymaker; it won't change much except that it might get a DC logo on its cover instead of the Vertigo one. But every other Vertigo book? Well, I'm nervous as a reader and I'd be more nervous still if I were a creator.

On the other hand, Berger's already changed the face of American comics, and even if DC is no longer a place where she can innovate, there are plenty of other publishers that I'm sure would be thrilled to have her.

And not just publishers -- there's a very long list of comics creators who refuse to work with DC anymore but who have nothing but nice things to say about Karen. And I'm betting they'll call her before she calls them.

Dragon Quest 1&2 SFC

2012-11-29, 6:01 pm
Categories: Games, Stream of Consciousness, Tech

I've occasionally been poking through the Super Famicom remake of the original Dragon Quest on my cell phone -- you know, when I've had downtime and haven't had my PSP or DS or suchlike with me.

First of all: man, onscreen D-pads suck, even for games that require as little precision as DQ. I have to savestate-spam just to get around the outside wall of Rimuldar without accidentally walking out.

Second: there's so much that's wonky about the interface of this remake. The stupid little half-steps you take instead of moving a full tile at a time, the bizarre decision to stick the action button on X and leave the menu on A (something they stuck with on up through 7 on the PS1!)...frankly I'm almost inclined to tip the Game Boy remake as the superior version of the game despite its inferior graphics and sound, just on its smoother interface.

(Also I recall the GB version having a more charming translation. I probably snorted out loud in class when I took the Princess to an inn and the keeper remarked the next morning that we'd sure been up late last night.)

(Yeah, I played Dragon Quest in class for most of CSE122. If you'd ever tried to sit through a lecture with that instructor, you'd understand.)

More Random Thoughts

2012-11-28, 10:30 pm
Categories: Comics, Stream of Consciousness, TV, Work

Got an E-Mail about a Win7 update needs doin'. Only a four-day job but it'd still be nice to get.

Dizzy again today. It had been awhile. Don't know what caused it; did not like it.

Those Threadless shirts came in, and so far they seem like quality merchandise! I am happy with them. The Groupon deal still appears to be going on; it's worth checking out. (Though I now find that both shirts have been marked down to about the price I paid with the coupon since I ordered -- oh well, it happens.)

Ate dinner at Cornish Pasty. Good food, good beer.

Arrow has turned out to be a surprisingly good show, but man the dialogue on tonight's was overwrought. Geoff Johns? Oh.

Ze Germans

2012-11-27, 9:56 pm
Categories: Games, Status Updates, Stream of Consciousness, Tech

Not sure if I'll stick with OpenSUSE for the long haul or not.

I quite like YAST but it doesn't have the level of package support that any given apt-based distro does.

And it's slow. I heard OpenSUSE was faster than other KDE-based desktops, but that hasn't been my experience, even switching from HDD to SSD. Firefox routinely pegs the CPU. So does Xorg (which I think is down to my keeping LibreOffice open most of the time). RSSOwl -- which does not have an OpenSUSE package and was a straight-up bitch to set up -- is frequently slow and unresponsive (good ol' Java).

So why RSSOwl, anyway? Well, I like to keep my RSS feeds synced across my desktop, my laptop, my phone -- wherever. At the moment I'm using Google Reader for that.

I used to use Akregator, but it doesn't sync with Google Reader.

I tried Liferea, but...well, it's coded by a guy like me. A power-user who wanted specific network functionality and isn't very good at UI design. It's missing such basic functionality as being able to rename a feed (a necessity when it chokes on as simple a thing as an apostrophe -- my feed list contains "Kurt Busiek's Formspring answers" followed by "Neil Gaiman's Journal"), and its syncing with Google Reader is spotty as well.

Also its name resembles "diarrhea".

So I tried RSSOwl.

Under Ubuntu, it was simple enough to set up RSSOwl -- had to add an external repo, but that was it.

There's no repo for OpenSUSE. There's a binary download, but here's the rub: it doesn't work out of the box. It requires xulrunner 1.x -- 2.x does not work. And OpenSUSE 12.2 doesn't have a package for xulrunner 1.x.

It took me ages to find, but I found a good RPM package of xulrunner 1.9. It's for Scientific Linux, but it installed fine under OpenSUSE, and worked once I symlinked libhunspell-1.3.so.0 to libhunspell-1.2.so.0 . It throws the occasional warning when I run updates, but I've been able to navigate those just fine.

And that's another thing about OpenSUSE: YAST's options, when it runs across a version conflict on a dependency, are pretty opaque and incomprehensible (and it frequently lists the same option multiple times), but at least it gives you options. Ubuntu's package management, in my experience, just throws an error and quits when it runs across that kind of conflict. So score one for OpenSUSE there. Sort of.

Still and all, for all I like about its configuration center/package management system, I'm having a hard time seeing OpenSUSE as Worth It. Maybe when I've got some time to do yet another damn reinstall, I'll give Mint a shot, or something.

Playing: Got in some good Arkham City and Mass Effect 2 time today -- after my job interview. Working my way down that list...

Turkeyfuckers

2012-11-22, 11:37 am
Categories: Politics, Stream of Consciousness

Christmas Creep has bothered me since I was old enough to really notice it. Christmas starts earlier and earlier every year, and there's ever more pressure to consume! To buy shit, to go places, to be with family even if all it's going to do is stress you all the fuck out and make for a less-than-appealing family memory. Too much stress, plus too much traffic making for miserable driving, breathing, and shopping.

For a number of years I'd spend the week before Christmas out of town, out of the city, off at my mom and stepdad's quiet little home in Chino Valley. Unplug for a few days, though I don't think that expression was vogue yet.

Haven't done that these past few years but man it's tempting.

It should come as no surprise that I am not a huge fan of this "Let's have Black Friday -- on Thursday!" trend.

I don't shop on Black Friday. I sure as hell don't intend to shop on Black Not-Friday. I hold any company that tries to lure people away from Thanksgiving for holiday savings! in the same contempt they so clearly hold me. And their employees. And their customers.

I heard on the radio that last year showed a sizable dip in early-December shopping, theorized as "shopping fatigue". I hope that keeps happening. I hope it keeps happening until they learn. But unfortunately I don't think they'll ever learn -- any more than the airlines will learn that their business is dipping because they have made flying a fucking miserable experience.

I also heard there are folks saying people should support local businesses on Saturday. If that helps local businesses, hey, that's great -- but I don't really put much stock in "Everybody do X on Such-and-Such-a-Day to send a message!" as a strategy. You know all those "Don't buy gas on Saturday; that'll really show Exxon-Mobil!" forwards your idiot slacktivist friends constantly send you on Facebook? Do you recall any of them ever really showing Exxon-Mobil? No? Well that's because it doesn't hurt Exxon-Mobil's business when everyone just fucking waits until Sunday to buy the same amount of gas.

So while I wholeheartedly endorse supporting local businesses, I really think you should probably be doing it more than one day a year.

Fuck, the whole idea that people should only be encouraged to shop on a single specific day is the problem here.

So support your local business. Saturday, Sunday, whenever the fuck you feel like it. Friday, if you must, though I don't intend to leave the house that day myself.

But if you actually go out and support those turkeyfuckers at Wal-Mart and Target in making their employees knock off Thanksgiving dinner early to come in and sell you shit? Well, look, I know the economy's rough and beggars can't be choosers. But I don't think you need that new TV that damn badly.

On a more cheerful note: there's a whole lot in this life I'm thankful for (for example: not being a retail employee on Thanksgiving), and I hope there's a lot you're thankful for too. I hope you keep that in mind today and enjoy your turkey and gravy and cranberry sauce and what-have-you.

But that's just one more thing that shouldn't be confined to one day a year. Stay upbeat. Keep things in perspective. Remember the good things each and every day.

Now, cooking an entire turkey dinner, on the other hand? That's probably okay to confine to one day a year. That is a whole lot of work.