Category: Stream of Consciousness

Prenda Law Circles the Drain

In light of the recent excellent news of the legal sanctions facing copyright troll Prenda Law, here are some things I wrote on the subject a couple months ago. Originally posted on Brontoforumus, 2013-03-07, 2013-03-12.


...so have you guys been paying attention to the Prenda Law case? Because it's pretty amazing.

Prenda Law is one of those copyright trolls that sends people threatening letters alleging that they've illegally downloaded porn. The idea is that people would rather pay a settlement than be a named defendant associated with downloading porn.

It's extortion. Which is bad, and was bound to catch up with Prenda sooner or later.

But that's actually the tip of the iceberg. Popehat has an exhaustive rundown, but the highlights are that Prenda Law is most likely run by people who own the rights to the porn videos in question and who have not disclosed that interest, and also they appear to have stolen a guy's identity and named him as their CEO. (He's suing them.) The lawyer who's been representing them in court appears to be distancing himself from the organization now and blaming his bosses for everything; the judge seems righteously pissed and has dropped the word "incarceration" into his list of potential sanctions.

A followup post indicates that the company's entire business strategy appears to be to buy up cheap rights to porn movies that are cheap because they're frequently pirated, and then pursue pirates, ostensibly to reduce piracy and increase the value of their investments.

I'm just astounded by the combination of stupidity and balls involved in this scam. I mean, at least people who run Ponzi schemes put some effort into appearing legitimate.

I understand the greed part. I just don't understand how they thought they could get away with it. Like I said earlier, if all they'd done was shake people down for blackmail money they could have gotten away with just having their business shut down; it's the layers of incompetent and half-assed fraud that are really breathtaking and liable to lead to disbarment and possible incarceration.

I am very much looking forward to seeing this organization dismembered and its corpse hung out as warning for all the other copyright trolls and would-be copyright trolls to see. Some prison time for the principals would be a bonus.


The bad news just keeps piling up for Prenda; now its owners/lawyers are facing potential disbarment and criminal investigations.

Popehat has lots more under the prenda-law tag, and Ars Technica has plenty under the tags intellectual-property and lawsuits.

Free Comic Book Day Musings, 2013

A highlight reel from the last couple days on Brontoforumus:


The Tick

(Originally posted yesterday, 2013-05-05.)

The free Tick is pretty great but makes a basic storytelling mistake in not introducing the supporting cast. I know who Tick and Arthur are, but Bumbling Bee and Rubber Ducky aren't referred to by name until pages 12 and 13, and they never say Cod's full name, unless Cod is his full name.

I know there's a general backlash against techniques like the 1960's era of characters all addressing each other by name on the first couple of pages, and the 1990's method of just having each character's name appear in a caption when they first appear, but there are still ways to integrate it organically in the story. Arthur addresses Bumbling Bee as "Bee" several times in the first few pages, and she later tells Cod she wants to "meet up with Ducky". Those could trivially be changed to the characters' full names without seeming out-of-place.

And again, Cod is referred to as "Cod" exactly once in the story, and I assume that's one more shortened name.

For all that it's still a perfectly fun Tick comic. Arthur gets a vacation, Tick gets an undersea adventure, there are hijinx with the other heroes, and eventually Arthur gets to save the day. It's enjoyable. I would buy more Tick comics if they didn't charge seven bucks for 20 pages. And I heartily recommend the Complete Edlund collection, even though it is really pricey for its quality of materials. ($35 for B&W on newsprint -- but you will definitely get $35 worth of enjoyment out of it. I keep meaning to do a full writeup of it.)

The backup stories and prose sections aren't bad either. But given the latter's repeated reference to how this is bound to be some people's first Tick comic and be introducing people to these characters for the first time, it's that much more baffling that they dropped the ball on actually introducing the characters.


Superman

(Originally posted yesterday, 2013-05-05.)

DC, of course, has spent the past two years on a big relaunch, where its continuity is fundamentally changed and all the characters are redesigned.

And so, for the Free Comic Book Day issue of Superman, which is likely the first Superman comic many people have picked up in years, if not ever...

...they reprint the Donner/Johns/Kubert issue from, what, 2006, 2007, that introduces Chris Kent.

Lois still knows Superman is Clark Kent. They're still married. His costume still has red trunks on it. And the story is best-known for the introduction of a character who was written out pretty soon after, who nobody really remembers, and who sure as hell doesn't exist in the New 52.

But we can't have Stephanie Brown appear in Smallville, because that might confuse people.


Star Wars

(Originally posted earlier today, 2013-05-06.)

The Free Comic Book Day issue is pretty much the perfect little Star Wars story: somebody for some reason decides it would be a great idea to fuck with Darth Vader, and then learns that it really isn't after all. Also Boba Fett gets to shoot some dudes.

I think it's Wood's best Star Wars comic yet; all of my complaints about the pacing-for-the-trade present in the main series are gone here, it's over and done in pretty short order.

It's so easy, after the last 4 movies, to think of Vader as a gigantic pussy. This comic doesn't just play him as a stone-cold badass, it actually uses his engineering talent cleverly too (spoiler: as he's crawling around the outside of the ship, his would-be assassin tries to jump into hyperspace -- but Vader's already destroyed the hyperdrive with his light sabre).

Anyway. It's free (though you've gotta sign up for an account); it's well worth reading. It comes with Avatar (the Last Airbender) and Captain Midnight, too; haven't gotten around to reading those yet.


Digital Freebies

(Originally posted earlier today, 2013-05-06.)

Anyhow, for those who missed FCBD, Bleeding Cool has a list of freebies available at Comixology, the Dark Horse store, and elsewhere. No Tick, sadly, but definitely check out Star Wars.

KDE under Mint

Still sitting up in the ER with my wife. She's sleeping and I've nothing else to do, so here goes, a post about my ongoing Mint experience that I mostly banged out yesterday:


I've got KDE running under Mint, behaving mostly the way I like my desktop to. There are a lot of fiddly little things that just don't work quite right for some reason -- Alt-Tab works, but Alt-Shift-Tab doesn't; the taskbar is just slightly too big and I can't drag icons to reorder them even though it's explicitly set to manual order; the themes are all slightly off from what I'm used to (Oxygen is too bright and Oxygen Cold is too dark); and I'm typing this in gedit because Kate won't let me type in documents where the lines go above a certain number of characters. I'm sure all these problems are fixable -- and hey, maybe if I'd just installed Mint KDE from scratch instead of starting with Cinnamon and then adding KDE, I wouldn't have had them in the first place --, but it sure has been a fiddly pain in the ass.

In short, despite the problems I've had with it, I'm inclined to believe the hype that OpenSUSE really is the best KDE-based Linux distribution.

So for now I'm keeping it installed, running updates from a chrooted YAST every day, and hoping one of them will eventually fix the damn thing.

Watch the Bigoted Shit Squirm

Heading south on the 17 tonight, I passed not one but two billboards exhorting me not to sign the recall petition for Sheriff Joe Arpaio. (Too late, asshole.)

This is a good sign. It means he thinks it's a real threat.

Hell, he seems to be taking it more seriously than I am. I signed the petition but I still expect him to wriggle out of this one, just like he's wriggled out of all the other attempts to hold him accountable at the ballot box or in the courts.

Obviously he's not really expecting anybody to choose not to sign the petition based on a billboard. He's just getting his ads in early so he'll be prepared for the real fight when it comes.

Still, seems like it might backfire -- how many people didn't even know about the petition until they saw one of those billboards?

And, not to put a fine point on it? The billboards are just south of Guadalupe, a town populated entirely by people who would vote to recall him. Seems like it might not be the best idea to put a reminder of the petition right in their backyard for them to see every day.

The Thing About Grimm

You know, I like Grimm, mostly. I like its oddball setting and I love its supporting cast.

But it's got the Star Wars problem: the dullest, most tedious, least charismatic person on the show just so happens to be the main character.

Actually, the two dullest, most tedious, least charismatic people on the show are the main character and his girlfriend.

So really that makes it more like Episodes 2 and 3, I guess.

They've spent, what, twenty episodes now on this fucking amnesia plot? But they forgot the part about giving it any kind of stakes or giving me any reason to give a fuck. Oh no, Juliette might leave Nick? Oh no! Because I am so emotionally invested in their characters and their relationship!

She can leave on a bus or get hit by a bus for all I care, and take Nick with her. I'd watch the hell out of a show that made Hank or Wu or even Captain Renard the main character. And if Monroe and Rosalee were the leads? ... honestly, why aren't they? There's a couple I've developed some genuine affection for.

That one the other week where Nick, Hank, Rosalee, Monroe, and Bud all pulled off a caper together was really Grimm at its best, for reasons Les Chappell at AV Club pretty much nailed. The show diverts itself from the monster-of-the-week formula for a bit to acknowledge that oh yeah it's already got a whole bunch of monster races to work with already, and it ropes in most of the best members of the supporting cast to generally be charming and clever. Even Nick is pretty inoffensive, and Juliette...well, Juliette is barely in the episode, which I guess also counts as a win.

I really like parts of the show. I just wish they wouldn't pad them out with so much bullshit.

Trying to Fix OpenSUSE

After spending my Saturday banging my head against the wall trying to get my OpenSUSE installation working again, I spent my Sunday just reinstalling the damn thing -- aware the whole time that the result might be exactly the same thing happening next time I run an update.

I went to the effort to get OpenSUSE up and running again because I quite like it. All that shit I griped about yesterday on how difficult it is to find configuration options in Mint? Simply not the case in OpenSUSE. It's true that OpenSUSE has two separate control panels too, like Cinnamon does, and that one is for interface configuration and the other is for system configuration -- but both of them are a whole lot more comprehensive than what Cinnamon's got, and it's way easier to find what you're looking for. And OpenSUSE's package management is simply the best I've ever seen -- it doesn't have quite as comprehensive a selection as Debian/Ubuntu/Mint/et al, but it's pretty close, and -- perhaps most importantly of all -- it doesn't just give you an error when there's a dependency issue, it gives you a list of choices on what to do about it.

It's also got smooth-as-hell one-click package installation, though in Mint's defense, it supports that now too and I had a breeze setting up RSSOwl (the only program I've set up in Mint that wasn't in the default repos, and which was a monumental fucking hassle setting up in OpenSUSE).

Anyhow, I got OpenSUSE back up and running. Eventually. The first problem was that when I burned the 12.3 disc and tried to boot it, I got my old friend the frozen "Select CD-ROM Boot Type" prompt.

You know what's a bad sign? When you plug an error message into a a search engine and the third match is your own fucking blog. On the plus side, Thad From Four and a Half Months Ago told me how I got around this the last time: I stopped fucking around with the install DVD and tried the LiveDVD instead.

Then I made a mistake -- but it turned out not to matter. I forgot to set NoScript to allow JS on the 12.3 download page. And so I couldn't see any downloads except the main installer. The LiveDVD's right on the page, and so's the Rescue CD, but I couldn't see the damn things.

I poked through the Wiki and wound up stumbling onto the KDE Reloaded LiveDVD instead. Now, on the plus side, contrary to the "11.3" number and "Last Modified 10-Aug-2010" note on that page, the LiveDVD is current as of January of this year. On the minus side, it's kind of a damn mess, it leaves you with a weird hybrid of 12.1, 12.2, and Factory repos, and, well, it wouldn't have been my first choice if I'd been a little more awake and alert and noticed the damn NoScript notification.

But I found out later that the LiveDVD and the Rescue DVD both lock up too, so I would have wound up trying the KDE Remix eventually anyway. And it did work, sort of. And I found out some good things and bad things about restoring a broken OpenSUSE installation.

The good part: if you've got /home on a separate partition, OpenSUSE will use it without formatting it; all your settings will be preserved. I backed it up just to be safe, but I didn't need to; it was completely untouched.

The bad part: I found out the hard way that YAST's backup feature doesn't back up your repo list, which makes it pretty much goddamn worthless if you have a lot of software from third-party repos. Which, y'know, is the only damn reason I backed up my packages in the first place. Reinstalling packages from the default repos is time-consuming, but it's trivial. What I was worried about was going through the hassle of installing stuff like that outdated version of xulrunner that I need to get RSSOwl to run. So I guess I know for next time that I need to back up my list of repos separately.

Anyway, I got OpenSUSE working for a day or so.

And then the first time I ran mplayer X dumped me to a console and now it won't restart.

So I'm sorta back where I started, except getting an entirely different set of errors, which near as I can tell aren't related to any nVidia driver conflict like last time.

I like OpenSUSE, but I may be fucking done with it. I would really rather not reinstall it again.

I don't know for sure where I'm going from here. But I do know I'm going to start a KDE install on Mint.

Minty Fresh

I've been giving Linux Mint a shot.

Now, OpenSUSE is still my primary distro (for now -- more on that in a minute), but I've kept my old Kubuntu drive onhand, originally because I've got OpenSUSE on a 128GB SSD and could use another drive with some extra storage, but over time I also learned how useful it is to have a second Linux distribution installed for those times OpenSUSE craps out. (More on that in a minute.)

So when I swapped in a new drive, I put Mint on it, as that's a rapidly growing distro and the one a lot of disgruntled users seem to be checking out since the releases of Unity and GNOME 3.

My first reaction is that the default installation looks pretty and clean. 'Cept maybe the menu, which is too busy.

And my next reaction is that there's a pretty good complement of programs installed...up until I open the terminal and find that vim is not included. Yes, I realize it only takes a minute to install, but I'm one of those guys who is immediately suspicious of any distro that doesn't come with vim out of the box.

My next reaction is my usual complaint about GNOME: it's just not configurable enough, and the various configuration options are spread across too many different places.

You can choose themes in five separate categories -- Cinnamon Themes, Window Themes, Cursor Themes, Icon Themes, and GTK+ themes -- and you can mix and match among those, which is good. But I don't see anything as simple as a color chooser. Your colors are determined by your themes. Want your panel to have a widget style like Nightlife but a blue highlight on the active program like in Blanka Teal? Tough; can't be done. Want to use Adwaita for the window theme but not want the active titlebar to be the same fucking color as inactive title bars? Can't do that either; if you're going to want a colored titlebar you're going to have to go with one of the more oldschool/minimalist window styles like Atlanta or Metabox. (Or hunt for themes online, a thing which I don't really ever do because I find them almost uniformly to be worse than the ones bundled with the DE.) For extra kicks, you can combine the Mint-X GTK+ theme with the Atlanta, Bright, Metabox, or Simple window themes and get a color scheme where the active window title text is white and inactive windows' title text is black.

Oh, and there's also a "keybinding theme" under themes, which is bullshit because keybindings are not fucking themes. This unfortunately seems to be a trend in Mint/Cinnamon -- cramming shit sideways into categories it doesn't really belong in because the designers apparently can't figure out where else to put it. Want to make Mint stop playing a sound at startup? It's under Login Window -> Accessibility. Yes I had to fucking look it up.

Special Bonus: Login Window is one of many settings that does not appear under either the Cinnamon Settings or System Settings panel. Why the fuck are there two different control panels that between them still don't have an exhaustive list of configuration options? Who the fuck knows. That's rhetorical, by the way; I'm sure if I asked some GNOME developer would be happy to point to the usability study that demonstrates this is an awesome fucking idea and anyone who complains about it is objectively wrong and just hates change.

Though speaking of hating change, if you want your taskbar to look exactly like Windows 98-XP's, then Mint is the distro for you. Menu in the lower left, Show Desktop button, QuickLaunch bar, list of open programs, system tray.

Prefer to move it to the top, or change it to a GNOME 2-style top-and-bottom split? Totally doable.

Want to stick it on the left- or righthand side of your screen because oh, I don't know, you bought your computer monitor sometime in the last five fucking years and it has a 16:9 or 16:10 screen ratio? Too fucking bad; you're going to have to find a third-party panel if you want some of that action.

And I think that's my biggest gripe about Cinnamon: the stated goal of the project is to make GNOME 3 behave like GNOME 2. Which is fine if you liked GNOME 2, I guess, but it's ultimately subject to the same sort of design philosophy that users shouldn't have too many choices in how their computers look, feel, and behave (and many of the choices they do have should be hidden in bizarre, inexplicable, inconsistent places).

That's why I'm still a KDE guy -- and it's also why I was still a KDE3 guy for years after the release of KDE4. (4 still hasn't caught up to 3 in some obvious and fundamental ways -- really simple shit like being able to drag a launcher from the menu to the panel. And I'll hand that much to Cinammon: it does that, which puts it ahead of KDE in at least one respect.)

And while I was easily able to find a widget to switch between workspaces, it only has 2 by default, and I can't find anywhere to change it to 4. Maybe it's in there somewhere, or maybe it's not because of Cinnamon's GNOME 3 underpinnings -- I remember that GNOME 3 has an arbitrary number of workspaces, starts with one and adds more as you drag programs to them.

I did see an interface where I could drag a window to another desktop -- repeatedly and accidentally, until I turned off the hot corner. Have I mentioned yet that I fucking hate hot corners? I've got this thing about interface elements that appear by accident, when I'm trying to do something else.

I could probably set up a hotkey to bring up that screen without using a hot corner, and I expect it'd be useful -- and maybe give me some clues on how to have more than 2 desktops. I'll look into it. But binding it to a keypress is not in the same control panel as setting it to a hot corner, and I'm going to have to look up where to find it.

Oh and also the package manager is both slow and hideous.

Anyhow, well, I've been spending rather a lot of time with Mint, mostly because I broke OpenSUSE. It started with an nVidia driver update, but after I reinstalled my kernel it turned into a kernel/init/systemd problem. It's been frustrating as fuck and ate up pretty much my entire weekend. Eventually I just decided to reinstall outright -- and I'll tell that story tomorrow.

Whatever happens, I'll keep Mint around as a backup boot. But the way it is, I couldn't use it as my primary OS -- not without installing KDE on it, at least.

History of the Doctor

What we know for sure about the Doctor's origins -- and I'm going to go ahead and put this in chronological order for his timeline, though of course it's instructive to look at the order in which these facts were revealed on the show, too:

He's a Time Lord from Gallifrey. He has two hearts, and when he dies he regenerates into a new form. He's currently in his eleventh incarnation of thirteen.

He and the Master went to school together. When they were children they looked into the Total Perspective Vortex; the Master went mad and the Doctor ran away.

The Doctor and the Master chose their own names.

The Doctor stole the TARDIS and fled Gallifrey. Until he finally gives himself up in The War Games, he is a wanted man, both for the theft and for violating the Time Lord equivalent of Star Trek's Prime Directive and constantly interfering in affairs of the universe instead of just standing by and watching.

When we first meet the Doctor, he's parked his TARDIS in a scrapyard in 1963 London. He's an old man traveling with an apparently teenage girl who goes by the name of Susan Foreman and calls him Grandfather. (We reasonably assume that he is in fact her biological grandfather, though this is never stated unambiguously.)

The reason he's in London in 1963? He's got a powerful Time Lord artifact called the Hand of Omega -- a device which is capable of destroying planets across time and space -- and seeks to hide it.


I don't know if that's an exhaustive list, but those are the key points of what we know about the story before the beginning of the first episode, off the top of my head.

Other than that, there are hints, and things expressly stated as the intentions of the writers (and, in some cases, novelized), but nothing really concrete on the show itself.

First, there's the nature of the Hand of Omega. It's the device that Omega used to perfect time travel by collapsing a star for fuel. Omega was blasted into the antimatter universe, and his partner Rassilon became the first Time Lord.

The Doctor later says of the Hand of Omega, "And didn't we have trouble with the prototype?" Pressed by Ace, he corrects himself and says "They." Script editor Andrew Cartmel has stated explicitly that his intent was to imply that the Doctor himself was a third founding Time Lord, alongside Rassilon and Omega (and there are further seeds to this end in Silver Nemesis, which I've never actually seen), but this plot never reached fruition.

Not on the show, anyway. There's a novel called Lungbarrow which lays the whole thing out; I haven't read it but it sounds immensely complicated, implying that the Doctor is a reincarnation of the Other, retaining his memories through the Time Lords' technological method of asexual reproduction, the Looms. It all sounds frankly quite complicated and is absolutely not the sort of thing I would ever expect to see on the TV show.

But the idea of the Doctor as the Other? Still a possibility. Especially since I expect we'll be seeing Omega again soon.

The Omega symbol's been cropping up on the show for several years now. The clerics who kept River as their prisoner in Time of the Angels had it on their uniforms. It cropped up again in A Good Man Goes to War.

Now, obviously that shit's there for a reason. It's not just there because some costume and set designers think omegas look cool. And while certainly there's a religious connection, this is Doctor Who; there's no way they threw it in just as a Revelation reference.

So I'm comfortable in assuming Omega is going to figure into the coming story arc somewhere. If Omega himself doesn't put in an appearance, then his legacy's going to be relevant, and I bet we'll be hearing about the Hand of Omega again.

Last night I ran across the possibility that the Doctor's name was a mathematical formula. What if the secret of time travel itself is encoded in his name?

Again, that would make it tough for him to be one of the three founding Time Lords (short of a paradox where he travels back in time and becomes one of them) -- but I can easily imagine that Time Lords might name their children after founding principles of their society. Like naming a child after a religious figure or a king or a lord.

It would also explain why the Doctor had to change his name before going out into the wide universe -- if his name holds the secret to time travel, well, that wouldn't be a secret among the Time Lords, it would be common knowledge. But sharing it with somebody outside Time Lord society would be a big no-no.

We've seen, of course, over the series, that there are other races and cultures capable of time travel -- but theirs is always rudimentary, limited in some fashion. Dangerous and unpredictable (moreso than the Doctor's TARDIS). The Doctor, as last of the Time Lords, guards his TARDIS and its secrets closely -- and maybe that includes keeping his name a secret.

It's an elegant theory and I like it -- but it creates its own problem: barring a copout where his name is never actually spoken onscreen, he still needs to have a name. And, if this theory is correct, it needs to be a name that's not just satisfying to the ear but also sounds like plausible enough technobabble that the audience will buy that it's some fundamental secret of time travel. And you've only got a short space to work with. (My full name is nine syllables. And it's pretty long.)

Alternately, maybe it's something far more prosaic. Or maybe Moffat's got something much more interesting in mind. Guess we'll find out in three weeks.

Time Lord Names

Some Time Lords have names -- like Rassilon and Romana. And some have descriptions -- like the Doctor and the Master. And, presumably, the Rani; I don't know what the fuck a Rani is but she's a the.

And then there's Omega. Omega's important and I expect we'll be seeing more of him very soon. But his name is sort of an interesting exception in that it's not a the but it's still more description than name.

Of course, Doctor Who's mythology is patchwork. Time Lord society is built across decades of retcons -- hell, nobody uttered the words "Time Lord" for the first six years of the show, or "Gallifrey" for the next five. Time Lord social customs aren't mysterious and inconsistent by design, they're mysterious and inconsistent because they're making it up as they go along. Present tense; they're still making it up.

So I'm sure there's a reason some Time Lords have names and some have descriptions. Maybe it's out there in the books or audioplays somewhere. Or maybe nobody's come up with one yet and it'll be up to some writer to handwave a reason at some point. Hell, maybe both; books and audioplays aren't canon and the show is free to contradict them.

And of course the names operate on another level besides the in-universe one. I'm sure that, in-universe, the Master didn't choose his name because of a double-meaning implying he's second-best after the Doctor; I'm sure that, in-universe, he chose it solely on its primary definition and not its academic one. But even if Letts and Dicks didn't have that double-meaning in mind when they named him -- and Wikipedia says they did, though there's no citation -- then certainly later writers made the connection.

...

...oh my.

So while I was looking over that Wikipedia entry, I clicked on over to the page for Terror of the Autons, the Master's first appearance. And it's got this bit about the novelization of the episode:

The Master and Doctor are revealed herein to have names that are mathematical formulae

Hmmmmm.

Again, the books aren't canon -- but if the Doctor's name is a mathematical formula, that could certainly be pertinent to the current storyline, now couldn't it?

Doctor Who?

Spoilers for Doctor Who episodes new and old follow.

So Steven Moffat's been teasing the revelation of the Doctor's real name since 2008's Silence in the Library, and built it up as his major arc last year. I figured this year was a break from that plotline and we'd probably get an answer next season -- but the BBC's just announced this season's finale will be titled The Name of the Doctor. So while there may be fallout next season, it looks like the big answer is coming in just three weeks.

So I've got some thoughts. What could the Doctor's name be? Some possibilities:

  1. It's a fakeout. We never hear his name. Even if it's spoken, it's spoken offscreen, or whispered so we can't hear it, like in Silence.

    This strikes me as unlikely. Moffat's been building to this for five years. He's big on misdirection and on things not meaning exactly what you think they do -- but when he teases something big, he eventually delivers on it. Even if it is exactly what it appears, like last season when we found out that yes in fact River Song is the Doctor's wife, which we'd pretty much all assumed since Silence in the Library anyway.

  2. It's an homage. To somebody real. Like in Human Nature when he says his parents are named Sydney and Verity.

    Of course, if his name is a reference to a real-life person, then the name itself won't have any in-universe significance -- see #4, below.

  3. It's a name we've already heard.
    1. It's a name we've heard before, either on the new series or the original, either a famous Time Lord, some other august personage, or hell, maybe he was faking it that very first time he said "Doctor Who?" and his name really is Foreman.
    2. It's a name that's been referenced that we don't even know is somebody's name -- like when we heard "Silence will fall" and only later learned that "Silence" was the name of an evil alien religious cult. The Doctor's name could be hidden in any of the catchphrases we've been hearing -- The Fields of Trenzalore, The Circle Must Be Broken, etc.
  4. It's just some random name. It's not the Doctor's name that's actually important, it's his identity.

    This is a possibility -- a little Moffat-y misdirection -- but I doubt his name will be selected completely at random. If he goes this route I expect it'll be a combination of this and #2.

#3 seems the likeliest option to me.

There have been hints that Moffat intends to revive what's been called the Cartmel Masterplan:

The overall plan for Cartmel was to reveal that the Doctor was some form of a reincarnation of The Other, a mysterious figure from Gallifrey's past who helped form the Time Lords' society and perfect the time travel technology of the Time Lords.

Of course, "the Other" is no more a name than "the Doctor". It might tell us his significance, but it's not his name.

There's another problem: Moffat's view of the Doctor as a wanderer who stole a TARDIS when he was young seems incompatible with the idea that he's one of the three founding Time Lords. That is, short of some wibbly-wobbly-timey-wimey paradox where the Doctor is born in an already-established Time Lord society, steals a TARDIS, and at some point travels back in time to become one of the three founding Time Lords.

Which would be a workable plot, but might also tell us too much about the Doctor. Moffat, like most of the Who showrunners, thinks that a little bit of the origin story goes a long way. (For example, Neil Gaiman tells us that Moffat asked him to pare down his description of the Corsair in The Doctor's Wife because the original pitch implied that the Doctor patterend himself after the Corsair -- Moffat's response: "Answers too many question that should be left alone. He's the Doctor, he does what he does for reasons too vast and terrible to relate.") Obviously whatever the Doctor's name is must work toward some big reveal that leaves its mark on his origin story -- but it also needs to walk a fine line that doesn't tell us too much about where he came from and why he does what he does.

Indeed, in some ways it's better that the original series was canceled before Cartmel could spell everything out -- this way we got hints, in serials like Remembrance of the Daleks, that the Doctor was more than he seemed, but he still got to maintain his mystery.

If all goes according to plan, I'll have some future posts coming up dealing with Time Lord names and what we actually know about the Doctor's origins.