SLC, 1980. Soundboard recording, posted by YourArf.
Day: October 18, 2012
The other flick I caught last weekend was Argo. I hadn't seen the last two movies Affleck directed, but I hear they're good, and I enjoyed this one.
Nitpicky stuff out of the way first: I thought he piled too much on at the climax. I sincerely doubt that -- minor spoiler -- the real-life Houseguests had guards speeding after them with machine guns on the tarmac.
I was also a little disappointed that they filed the serial numbers off the fictitious Argo film. In the movie, it's just a generic sci-fi B-movie -- but in real life it was a failed adaptation of Lord of Light by Roger Zelazny, with production designs by Jack Kirby. I can see why these details were changed, and they're not essential to the story of a CIA exfiltration operation masquerading as a film crew, but I love that background and have been fascinated by it since I first read about it in a 2007 Wired article. Indeed, there's currently a Kickstarter going to make a documentary about the aborted Lord of Light movie.
But those quibbles aside, Argo succeeds on its own merits. It's well-acted and suspenseful, and brings attention to a largely-unknown sequence of events that happened as part of the better-known Iranian Hostage Crisis. And it's a truly crazy story -- the kind that would be unbelievable as the premise for a fictional spy movie. Truth, as they say...
And even if it's disappointing that the likes of Kirby and Zelazny don't get their due in the movie, legendary makeup artist John Chambers (played by John Goodman) sure gets plenty of props.
All in all, Argo is recommended. I caught it at a matinee; it's not going to lose much if you wait to see it at the cheap theater or on Netflix or what-have-you. In the meantime, check out that Wired story; it's fantastic.