Month: July 2018

Wii U Softmod Tips

2018-07-31, 6:50 am
Categories: Games, Tech

I've spent the past week and a half softmodding my Wii U and ripping my library to it.

There are a few reasons for this -- the primary one being that the copy of Breath of the Wild that I bought used worked for about the first ten hours of the game and then quit reading.

Another reason is, it'll be nice to be able to put all my discs in a box somewhere and get some shelf space back.

The guide at wiiu.guide is a great walkthrough for softmodding your Wii U. But there are a few details I had to figure out myself, and I'm going to share them here.

First of all, here's the hardware I used:

A 1TB Western Digital Elements USB3 hard drive. This is excessive; I have 11 games installed on it and they only take up about 90 GB of space. However, I happened to have it lying around unused (I'd bought it for my grandma as a backup drive and discovered, when I went over to her house, that she already had a backup drive), so that's what I went with.

A 64GB Sandisk microSD card with SD adapter.

Here are a few things I discovered along the way:

It's probably a good idea to repartition and reformat the SD card before you get started. I found that mine had a few MB of unpartitioned space at the beginning, and I got an error with the NAND backup program saying it wasn't a FAT32 disk.

Also, make sure the FS type is C. That's FAT32. I used mkdosfs and wound up with 7 (ExFAT).

Something to note about the hard drive: I didn't need the Y-connector that wiiu.guide recommends, but I did need to plug it into one of the USB ports on the back of the console (I went with the top one). When I plugged it into one of the front USB ports, it would frequently hang on long file copies. When I plugged it into the top back port, it worked fine.

Copy all your save data before you rip any games. By this I mean, as soon as you format the hard drive to Wii U format, go into Wii Settings and Data Management, and copy all your save data. (It's safer to copy it than to move it; if you want to delete it from your NAND, wait until you've made sure it works first. A NAND backup and SaveMii backups are probably a good idea too, just to make sure you don't lose anything.)

This is totally counterintuitive, but here's how it works: save data on the NAND works for disc games (and, presumably, games stored on the NAND, though I haven't verified this), but games installed on the hard drive will completely ignore it. If you've got Breath of the Wild installed on your hard drive, and a saved game and a few gigs of updates installed on the NAND, then when you fire up Breath of the Wild it will behave as if it's being run for the first time. It will try to download updates, and start you out at the beginning. If you want a game that's installed on your hard drive to see your updates and your saves, then they have to be stored on the hard drive too, not the NAND.

And, even more counterintuitively, you have to copy the saves first. If you install the game on your hard drive and then copy the save data over, the save data will overwrite the game on the hard drive and you'll have to reinstall it. But if you copy the save data and then install the game, the game won't overwrite the save; the save will still be there and the first time you run the game off the hard drive, all your save data, updates, and DLC will be there, ready to go.

Hope that helps somebody. It would have saved me a lot of extra hours if I'd known that stuff before I started instead of having to figure it out for myself.

Shit My Thad Says

2018-07-30, 6:42 am
Categories: Stream of Consciousness

James Gunn recently got fired from Guardians of the Galaxy 3 over some tasteless and offensive jokes he made on Twitter some years back.

That's not the subject of this post. You want to read someone's opinion about the James Gunn story, there are plenty of places to do that.

But it did get me thinking. You know who else has said some stupid shit on the Internet that's still up there where anybody can see it? Me.

I've had this blog since 1999. I was seventeen years old when I started it. Some of the content is even older -- KateStory started in 1994.

So, given that this website has a pretty steady stream of stuff I've written that stretches all the way back to when I was twelve? Yeah, let's just say I've had plenty of opportunities to say things that were really dumb. (At least unlike James Gunn, I have the "I was in my teens and twenties" excuse.)

I can think of specific examples, but I feel like pointing them out isn't going to help anybody. If I said something hurtful a long time ago, and I start talking about it again now, I feel like that's hurtful too, even if I'm doing it just to apologize.

So I won't. But you know the type of stuff. I used words I don't use anymore. I made jokes I don't make anymore. Transgression just for the sake of transgression -- say something offensive for a cheap laugh, then when somebody says "Hey, that's offensive," say it's their fault for being offended, and laugh at them.

So if you're going through this site, particularly through the really old stuff, and you find something that makes you say "Aw, come on, man" -- yeah, that's how I feel about it too, and I'm sorry.

Of course, all this raises another question: why keep it? Why keep all the old stuff, even the stuff that I'm embarrassed by or ashamed of? It's my blog, after all; I can delete anything I feel like.

I guess there are a few reasons.

I'm kind of a pack rat. I have trouble getting rid of stuff. I've still got my '90s Spider-Man and X-Men comics -- and I hate that stuff. It's just that actually going to the trouble of getting rid of it (seeing if any of it's worth anything, selling the stuff that is, donating the stuff that isn't) seems harder than just hanging on to it. And my blog doesn't take up nearly as much space as all those shortboxes.

I have a genuine affection for some of this stuff. The KateStory in particular. It's something my friends and I did together when we were kids. Sure, there's adolescent bickering, and dumbass "edgy" "humor", and there are plenty of places where it outright makes me cringe. But it's my friends and me, goofing around, saying whatever damn fool thing popped into our heads. To me, at least, the good outweighs the bad.

If I'm being honest... To a large extent, this blog shows me growing up -- transforming from a dumbass kid into a guy in his mid-30s who is hopefully at least a little bit less of a dumbass. If I cut out the stuff I said and did that was bad or wrong, I'd be cutting out the actual growing up part. And I feel like it would be a copout, like I'd be hiding my mistakes. I'd rather own them. I'm not proud of everything I've written, whether on this blog or elsewhere, but I acknowledge it. This, what I'm writing right now, represents who I am. The old stuff, the stuff I wrote ten or fifteen or twenty-four years ago, represents who I was then. I like to think there's some daylight between the man I am and the kid I was.

A lot of stuff is gone. Prodigy's gone. The Pyoko boards are gone. A lot of stuff I've posted online is gone. Honestly, in a lot of cases that's for the best. But I do sometimes wish I could go back and find something I wrote that isn't there anymore. This is as complete an archive of stuff I've written online as there is. I don't want to make it less complete.

It's not like that damn many people are reading this thing anyway. I mean, let's be honest. I'm not the director of Guardians of the Galaxy. I'm some guy who's been yammering on a blog for damn-near 20 years. If somebody is actually looking back through this blog at some dumb, offensive thing I wrote in my twenties, odds are pretty good that someone is me.

Somewhere Productive

2018-07-23, 7:56 am
Categories: Politics, Stream of Consciousness

Sometimes I think "Hey, I should blog more."

The reason I've been thinking that lately boils down largely to this post I wrote on Brontoforumus the other night:

...there is a guy in the Ars Technica comments section right now who is arguing that Joss Whedon's behavior isn't anti-feminist, because if he were gay he would treat men just as badly as he treats women.

I need to stop reading the Ars Technica comments section.

Fellow Bronto Büge pointedly responded by quoting my post back to me in modified form:

I need to stop reading the [...] comments section.

She's got a point.

It's not an original observation that comments sections, by and large, are terrible. Even on a site like Ars, where most commenters are insightful, knowledgeable people, the minority who are obnoxious trolls get to dominate the conversation.

Part of why that happens is, people feed the trolls. And I'm part of the problem.

I'm not as bad about that as some people are. I've learned to make regular use of Ars's Block button. Hell, I even wrote a script to add block functionality to Techdirt's comments section. And yet, I still find myself engaging with people who I really shouldn't.

Sometimes it's an honest mistake. Sometimes it's not clear that somebody is a troll when I first engage with them, and it takes a few posts before I realize I've been wasting my time trying to engage in a good-faith discussion with somebody who isn't interested in good faith.

But sometimes, trolls are obvious, and I feed them anyway.

Take the other day, f'rinstance. A guy in the comments for an article titled News of Trump passing cognitive test may make it harder to detect dementia said this:

So we should defend the country by forcefully elimating Trump?

Seriously. Elimating.

And I spent multiple posts responding to this guy. Explaining why democracy, despite its flaws, is preferable to a violent coup.

The conversation ended with me telling the gentleman in question to go fuck himself, and blocking him. Which was entirely foreseeable, from the get-go.

Why did I bother having a conversation with a person who was not only advocating the violent overthrow of the government, but couldn't even spell it correctly? Why didn't I save myself some time and just go straight to the Block button?

Certainly part of the answer is that my impulse control needs work.

Another part is, I really do enjoy writing stuff. I write stuff every day. The trouble is, these days most of what I write is in comments sections on sites like Ars and Techdirt. What I need to get better at is focusing my writing towards somewhere productive -- or, if not productive, at least somewhere that doesn't leave me thinking, "Christ, why did I waste all that time and energy on that?" when I'm done.

Maybe that can be the new tagline for the site.

corporate-sellout.com
It doesn't leave me thinking "Christ, Why did I waste all that time and energy on that?" when I'm done.
(Your mileage may vary.)

Creator-Owned Ditko

2018-07-20, 7:28 am
Categories: Comics, Stream of Consciousness

I've been meaning to write a post about Steve Ditko's creator-owned comics for quite some time. Ditko's recent death has me thinking about that, and so, here's something. I'd still like to write something a little more detailed later on down the line, but this should serve for now.

Steve Ditko stopped working for mainstream comics publishers in the 1990s, but he never stopped making comics. For the past 20 years, Ditko's comics have been published by his friend, editor, and collaborator Robin Snyder. Ditko has also written essays, some of which appear alongside his comics, others of which appear in Snyder's zine The Comics, and others in 9 small pamphlets called The Four-Page Series. Since 2013, Snyder has funded twenty Ditko comics on Kickstarter, with more to come; Snyder noted in a Kickstarter update last month that he and Ditko were working on two new titles, and a prior Kickstarter update discussed out-of-print books that Snyder intends to send back to press.

Snyder does not have a website, but Bob Heer's ditko.blogspot.com is an invaluable resource, and its Ditko Books in Print page serves as a catalog of what Snyder has available and how to order it.

Of course, merely seeing a list of titles can be daunting. Where to start?

The most in-depth article I've seen on this subject is Steve Ditko Doesn’t Stop: A Guide To 18 Secret Comics By Spider-Man’s Co-Creator, written by Joe McCulloch for ComicsAlliance in 2013. You should read that.

But if you want my opinion? You should start with The Mocker.

Of the Ditko books Snyder has on offer as of this writing, it's the most accessible, the one that feels the most like Ditko's work for Marvel, DC, and Charlton. It's a straightforward, tightly-told story of a costumed crusader fighting organized crime and corrupt police.

I only have one complaint about The Mocker: it was clearly intended to be printed at a much larger size. Ditko fits a lot of panels on each page, starting with 16-panel grids and eventually settling on 20. The comic was originally printed at magazine size; reduced to standard comic size, it's often difficult to tell what's happening and to tell characters apart, especially in action scenes. (Ditko sure draws a lot of men in suits and fedoras punching each other.)

After The Mocker, there are a few different directions you can go. The most obvious is Mr. A, Ditko's best-known creator-owned series -- if you're interested enough in Ditko that you've read this far, you probably already know who Mr. A is, at least in passing. My favorite Mr. A stories are When is a Man Judged Evil? and Right to Kill; both appear in a 32-page comic that's just called Mr. A -- which, sadly, is currently out of print. I'm quite fond of the whole series, though; there's good stuff in every issue. I believe #4 contains the earliest Mr. A material that's in print, while #24 and #7 are the two latest issues (in that order, and no, I don't understand the numbering) and include the two-part story The Knifer.

Alternately, I'm partial to Miss Eerie, one of Ditko's later creations and another masked vigilante in a 1930s setting. She appears in Ditko Presents and The 32-Page Series #3, #6, #14, #20, #23, and #26. The 32-Page Series itself is an anthology comic and something of a grab bag; it's a great, eclectic collection of Ditko's late work.

From there? Well, I was all set to recommend Avenging World, a collection of comics and essays that I consider to be Ditko at his purest -- but, sadly, it's out of print. Here's hoping that changes.

For my part, I have varying degrees of affection for everything Ditko did. His comics are often eccentric and didactic; his essays are often impenetrable puzzle boxes. But he always had something interesting to say. He was one-of-a-kind. I'm going to miss him -- but for now, at least, I can expect a few more new Ditko comics still to come, and older Ditko comics like Static to become available again.