Well, by now Who fans have presumably watched the first Pond Life minisode, and the show's coming back on Saturday. So here's another of my old reviews, originally posted on Brontoforumus on 2008-03-28.

The Seventh Doctor era gets a lot of (presumably well-deserved) flack, and some fans blame McCoy and Aldred for the waning quality and ultimate cancellation of the show. Others blame the writers, and Ghost Light seems to vindicate that view, as it shows McCoy and Aldred do a perfectly good job when they have a decent script to work from.

Ghost Light tends a bit toward the confusing and I found myself hitting up Wikipedia to explain what it was I'd just seen when it was over, but that's not necessarily a negative; some of my favorite sci-fi is inscrutable.

It's something of a mishmash of references to such works as The Shining, Pygmalion, and Heart of Darkness, with a dash of Douglas Adams thrown in. But the Victorian haunted-house ambience is suitably creepy, and most of the cast -- creepy housekeeper, insane hunter, lord of the manor who wears glasses indoors, caveman, crazy hooded figure, monstrous angel -- is interesting. The Seventh Doctor comes across as a mysteryman who manipulates Ace to force her to confront fears out of her past, and when he confronts Light in the final act, reminds the audience that he is indeed both ancient and alien. Ace is a far more complex character than most companions in the original series, and paves the way for Rose and Martha to have involved and (sometimes) interesting backstories 15 years later.

All in all, it's better than the Tom Baker/Terry Nation/Douglas Adams Dalek story I watched two weeks ago, and that has to count for something.

$12.99 on Amazon -- worth buying. Or you can stream it -- free if you've got Prime, $1.99 for each episode ($6 total) for a 7-day rental, or, inexplicably, the same price for a purchase.

Hey, here's another old Who review. Originally posted on Brontoforumus, 2008-03-14. (I guess my last Who review post was a Dalek serial too, but what the hell, that was like 6 weeks ago.)

Destiny of the Daleks is Tom Baker's second and final confrontation with the titular monsters (memo to Rusty: yes, they only did two Dalek stories in eight years), as well as Lalla Ward's first appearance as Romana (she'd played Princess Astra in the previous serial) and the second appearance of Davros.

It's a pretty run-of-the-mill story; by far the best sequences are the creepy, antediluvian ruins of the Dalek city, best used in the end of the second chapter when a cobweb-covered Davros begins to awaken.

It's sort of downhill after that. The creepy aliens of indeterminate race and sex turn out to be bad guys, Davros and the Doctor banter back and forth about their respective philosophies, and the whole thing sort of falls apart in the last chapter where it turns out the two alien races are in a stalemate because their battle computers are evenly matched.

The Daleks' blind obedience to Davros is a pretty radical change; not only have they, over the few hundred years since Genesis of the Daleks, gone from attempting to exterminate him for being inferior to reviving him because he's much smarter than they are, but within the span of two episodes they go from "Self-sacrifice is illogical and therefore impossible" to strapping bombs to themselves on his orders.

And on the subject of logic -- I've noticed more than one fan bellyache about the "Daleks trapped in a logical impasse" element, as that sort of story is much better suited to the Cybermen; Daleks aren't generally depicted as slaves to logic.

For a serial with both Terry Nation (writer) and Douglas Adams (editor) named in the credits, it disappoints. There are a few good Adams-y one-liners in there, but they're far between. As for the "comedy" in the opening segment, Romana's regeneration scene painfully fails to amuse, and of course reminds us that no two writers can agree on how regeneration works anyway.

It's not great, it's not terrible. Rent, don't buy.