Here's what Orson Scott Card said to EW the other day about his well-known political advocacy against gay rights:

Ender’s Game is set more than a century in the future and has nothing to do with political issues that did not exist when the book was written in 1984.

With the recent Supreme Court ruling, the gay marriage issue becomes moot. The Full Faith and Credit clause of the Constitution will, sooner or later, give legal force in every state to any marriage contract recognized by any other state.

Now it will be interesting to see whether the victorious proponents of gay marriage will show tolerance toward those who disagreed with them when the issue was still in dispute.

Ken White at Popehat assumes that paragraph two means Card doesn't understand what the Windsor ruling entails, but that's not how I read it. I read this as Card simply realizing that Windsor is the latest in a long list of signs that make it clear that his side will lose, gay marriage will come to be not only legal in all 50 states but commonplace, and it's going to happen sooner, not later.

On some level, that's kinda heartwarming to see, a guy acknowledging he's on the losing side of history and asking that we don't judge him too harshly.

I mean, you know, in kind of a bullshit crybaby "Who's the real bigot here" way. ("Who's the real bigot here, the man who says all gay people are pedophiles and expends a significant amount of his personal wealth on trying to prevent them from receiving equal treatment under the law, or the people who call him names and boycott his work?" It's you, Orson. It's still you.)

But you know what? I'll take it. Card is swallowing his pride here and acknowledging that he's lost. No sense kicking him when he's down; it may not be an apology but it's still the closest he's ever come to one.

Tell you what, Mr. Card -- if you put your money where your mouth is and step down from the NOM board, and pledge that you'll stop donating to anti-gay causes, I'll go see Ender's Game.

The book was pretty great.

So here's what I've been listening to:

That's Balance and Ruin, a 5-disc collection of Final Fantasy 6 cover songs from OCRemix.

Now, I think it's still fair to say that Final Fantasy 6 is one of my two favorite games, though I suppose it probably needs an asterisk at this point.

Digression: While FF6 is a great game, it hasn't aged as well as some of its 16-bit contemporaries. Super Mario World, Mega Man X, and Super Metroid, for example, still stand as the pinnacles of their respective series and respective niches of the side-scrolling platformer genre; they're as close to perfection as a game's ever gotten, and, as years of remakes, sequels, and knockoffs have shown, are pretty damn difficult to improve on and shockingly easy to fuck up. In the Square family, I've always preferred FF6 to Chrono Trigger, but I think it's undeniable that CT's graphics and gameplay hold up better even if it's a shorter game with less-developed characters. And as for A Link to the Past -- well, that would be the other of my two favorite games, and it needs no asterisk.

The other thing that needs no asterisk? Final Fantasy 6 has my favorite video game soundtrack. Its depth and breadth are stunning; it's Uematsu at the top of his chiptune game. It's the only video game soundtrack I've ever bought, and if you name any of the 12 primary playable characters, Kefka or Gestahl, either of the airships, or for that matter most of the locations in the game, I could hum the tune off the top of my head. (And I could probably get either Gogo or Umaro, too, but I admit I might not be able to come up with both of them right away.)

Now, I love what OCRemix is but the truth is that in the past I've found their work hit-or-miss-but-mostly-miss for my tastes. The artists there, understandably, lean toward the techno/electronica style, and that's not my cuppa -- which I guess may be ironic coming from somebody who's checking out cover tunes of old video game songs in the first place.

Anyway, there's a good bit of that stuff on Balance and Ruin, but there's a whole lot else, too. There are plenty of orchestral arrangements here, and the soundtrack runs the gamut from faithful homage -- A Fistful of Nickels, by zircon, XPRTNovice, Jillian Aversa, and Jeff Ball, takes Shadow's Ennio Morricone influence to its logical conclusion with whistling, vocals, harmonica, violin, guitar, trumpet, and Jew's harp -- to riotous reinvention -- The Impresario, by Jake Kaufman and Tommy Pedrini, reimagines the Opera scene by way of Bohemian Rhapsody with a quick stop at West Side Story on the way -- to impressively effective minimalism -- Shnabubula and Gabe Terracciano cover the entire Ending Suite with nothing but a piano and violin.

At any rate, it's delightful, and the whole thing's a free download. Go to ff6.ocremix.org and you can grab a nice legal free torrent of the entire album in FLAC -- or MP3, if all this talk about SNES games has left you nostalgic for inferior 1990's technology.

You know what it makes me wanna do? Replay FF6. Random encounters and all.

But which version? The new Woolsey Uncensored Edition looks promising. On the other hand, I liked Slattery's translation quite a bit too; maybe I'll give FF6 Advance another shot. With the music patch, of course.

I should probably finish Last Story first. You know, the soundtrack's no FF6, but Uematsu's still got it.

Pretty sure I haven't posted this yet.

Zappa discussing the problem with record labels and how it's harder to sell something unusual to a young exec who thinks he gets it and an old guy who knows he doesn't. Uploaded by schavira. And yet more on the PMRC, sex, and masturbation (which apparently had to be bleeped on whatever TV program this is).

...I tried to find something a little more related to creators' rights to tie in with my last post, but I am turning into an old man and was hoping to get to bed by 10 o'clock. Migraine's gone and vertigo's under control, but I'm still trying to get over a sore throat.

For my previous coverage, check out the Ken Penders tag. In particular, the first post has a relevant disclaimer that (1) I tend to side with creators over publishers generally and (2) I corresponded with Ken Penders in the 1990's and he was a nice guy.

Anyhow, looks like I'm a bit behind on this, but last week brought the biggest news yet: per TSSZ News, Archie and Penders have settled and the suit has been dismissed.

What I predicted in Parts 3 and 4 still holds: we'll learn some of the terms of the settlement in the coming months (we already know Ken is moving forward with The Lara-Su Chronicles so I think we can safely say he has the rights to publish original comics with Lara-Su in them); some will stay confidential. Penders v Sega and EA is still ongoing, though this puts him in a better position as it establishes that he does have standing to sue for infringement, even if it still has to be established that Dark Brotherhood infringes his copyrights.

I think it's also safe to say that Ken would be happy for Archie to continue using his characters and reprinting his stories -- so long as they pay him his share for that use. And that if, say, the echidnas stay lost in that warp ring, that's Archie's decision not to pay Penders, not Penders's decision not to let Archie pay him.

But I think there's something much bigger coming.

Penders wasn't the only guy freelancing for Archie's Mamaroneck office in the mid-1990's. And he wasn't the only guy doing it without signing a contract first.

There are potentially dozens of other Sonic alums who have been watching this case and waiting to see if they've got a shot at winning their rights back, too. Scott Shaw has already filed for copyrights on his Sonic work. He won't be the last.

Archie v Penders is over. But this is only the beginning.


Update 2015-09-24: And Penders v Sega is over too; it was dismissed in 2014. I discuss it more in Part 6.

As for Scott Shaw and other creators seeking to reclaim their copyrights in the same way that Penders did, I haven't heard any news on that front, though I suspect we won't; given how the Penders case turned out, Archie is unlikely to file any more lawsuits, and I suspect that if other creators raise similar challenges Archie will settle with them quietly without getting the courts involved. It is possible that this has already happened, though it's likely that we'll never know.

Via uploader YourArf:

Kent Nagano tells the story about how he got involved with Zappa and his classical music. Kent Nagano is an american conductor and opera administrator who conducted London Symphony Orchestra for Frank's music.

From the swedish radio documentary "Titties & Beer", broadcasted 1994-01-23 on SR P2.

Uploaded by fruhko, who says it's from 1984. Sounds slightly sped up, or possibly helium is slowly leaking into the room.

Today I learned that my prescription migraine pills make my vertigo much much worse!

Well, it's got "America" in the name. That's good for a 4th of July post, right?

Vocals are pretty hard to hear but there's some great clarinet work by, if I'm not mistaken, Bunk Gardner.

Detroit, 1968; uploaded by Whoaduderighteous.