Category: Stream of Consciousness

Q2

I'm doing my usual app stuff this week. But I'm getting a lot more calls back than I'm used to. First quarter's ending; people are hiring.

I've got two interviews tomorrow, some two hours and 30 miles apart.

I wish I were going into them healthier. I'm still getting over this damn head cold, with the added bonus of nasty side effects from the antibiotics I'm taking for it. I'm not at the top of my game, and that's frustrating -- nothing like losing out on a job because they called you up for an interview when you had a cold.

But what the hell, I'll go in and do my best, same as any other interview. Maybe it'll go somewhere and maybe it won't -- but at least at the moment there's a window where I'm in demand, and hopefully it'll last a few weeks, anyway.

Bowties are Cool

Here's the video I used to learn to tie a bowtie for my wedding:

When that didn't quite do it for me, I also tried tutorials at Beau Ties Ltd and about.com.

In the end I guess I did a passable job but never really got the knack. The last step is the hardest, the part where you pull the second bow through the loop behind the first one.

Here are some pictures of my dad helping me with my bowtie. (He does not know how to tie bowties either.)

Before
The Fixin'
After

I'll probably get some more wedding photos in here at some point. Seems like I should probably post some with the bride in them.

Books I'm Dropping

I observed, last month, that while I think Scott Snyder is an immensely talented writer and really gets Batman, his two major arcs up to this point really haven't been for me.

I decided to give him one more shot, that #18 would be make-or-break for me.

Well, the good news is, #18 really is pretty great. It brings back Harper Row, the main character from issue #7, my single favorite issue of the new series. #18 isn't quite as good as that one (among other things it lacks Becky Cloonan -- though Alex Maleev's work is fantastic and obviously Andy Kubert is no slouch), but it's a good solid continuation of Harper's story, and gives us a good street-level view of Batman freaking the fuck out following Damian's death.

There's fan speculation at this point that Harper is going to become the new Robin. That would certainly fit what happens in this story, and I wouldn't mind it -- but I'd much rather she stay Just a Regular Person. I've said before, often, that my favorite superhero stories are the man-on-the-street ones -- Ditko's Just a Guy Named Joe, Harmon and Jones's To Serve and Protect, Busiek and Ross's Marvels, Busiek and Anderson (and Ross)'s Astro City. I love supporting characters in the Bat-verse like Leslie Tompkins, or the guy who fixes up the Batmobile, or the lady who builds the supervillains' lairs. I would love for Harper to stay another one of those -- an ordinary person leading a relatively ordinary life that occasionally and extraordinarily intersects with Batman's. That, for me, is her ideal role.

But if she becomes Robin, I'd be down with that too.

(Course, I also won't rule out Damian coming back. This is comics. And it's not like Morrison's never done the "bring everybody back to life in his last issue" trick before.)

But now for the bad news:

If Batman #18 was the book that convinced me to stick with the Snyder/Capullo run, the news that #21-#31 are going to retell the origin story is probably going to convince me not to.

Origin Stories Forever!
Image via CollegeHumor.
This fucking thing was on the inside cover of every DC comic a few months ago.
Apparently without any intention of irony.

I am not spending forty-four dollars reading Batman's fucking origin story again.

Like every sentient human being in the galaxy, I already know Batman's origin story. I've seen it. I've seen the Finger/Kane/Moldoff version. I've seen the Burton version. I've seen the Timm/Burnett/Gilroy/Derek/Kirkland version. I've seen the Miller/Mazzucchelli version. I've seen the Nolan version. I've seen the Tucker/Jelenic/Vietti/Beechen version. I've seen Grant Morrison, Neil Gaiman, and various Kuberts take a crack at it. I've seen the Liu/Montgomery adaptation of the Miller/Mazzucchelli version. I haven't seen the Johns/Frank version. And I've got zero damn interest in the Snyder/Capullo version.

Look. I love Batman. And I love his origin story. It's a classic bit of comics history, it's one of the key elements to his story, and it's one of the reasons he's endured as an American icon for lo these 74 years.

But enough is e-goddamn-nough. Give it a rest. Tell some new stories.

Finger, Kane, and Moldoff told Batman's origin in a page and a half. There is no good damn reason to stretch it out to eleven issues at four bucks a pop.

I'm sick of the fucking relaunches, rehashes, reboots, retcons, repetition, and various other words beginning with "re".

I'm the biggest damn Batman fan I know. And I'm sick of this crap.

I'll probably read #19 and #20. And I'll probably stick with Inc as long as Morrison's writing, and maybe Detective as long as Layman's writing. But there's every chance I'll be a non-Batman reader before the year is out.


Also, I think I'm done with Animal Man. I finished the latest issue, did some reflecting, realized I genuinely did not give a fuck about anything that had happened in this issue or any issue since Travel Foreman left the series, shrugged, and decided that's another three bucks a month I could stand to spend on something else instead. Like air conditioning. It's supposed to be 94 degrees today. It is the middle of March.

This is really a pity, as Animal Man was absolutely the best comic out of the New 52. But that Rotworld shit went on way past its shelf life.

And here we hit the central problem, I think, with comics marketing for the past couple of decades: things like crossovers and reboots do sell -- but their popularity is unsustainable. Today's sales through cheap gimmicks come at the expense of tomorrow's sales through loyalty, goodwill, and repeat business.

The good news is, there's so much great shit out there right now from publishers who aren't DC or Marvel.

Doctor Who: The Talons of Weng-Chiang

Originally posted Brontoforumus, 2009-12-05.


The Talons of Weng-Chiang is commonly referenced as a fan-favorite episode, so I gave it a look. It probably didn't live up to the hype, but it was still pretty good. It's a Fourth Doctor/Leela story in Victorian England, where they face off against the eponymous villain, who's a gestalt of Fu Manchu, Jack the Ripper, Dracula, and the Phantom of the Opera. The Doctor plays a Sherlock Holmes-y role.

It's got a great setting, sets, and costumes, good characters, and fantastic Fourth Doctor dialogue. The main thing working against it is its stereotypical portrayal of the Chinese -- some of this, like comments made by the English characters, is simply an accurate portrayal of the time the story's set in, but the character of Li H'sen Chang, played by an Anglo in heavy makeup, is damned awkward.

Those blemishes aside, it's a great story, with nice visuals and writing, and one of the Fourth Doctor's best, which is to say one of the series' best.

The special edition is currently $25 at Amazon, while the non-special edition has inexplicably shot up from $15 to $28.14. $25 seems a bit much; I'd suggest waiting for a sale or for it to become available for streaming.


Aaaand I think that's the last of my old Who reviews. Guess I'll have to find something else for my phoned-in posts when I can't come up with anything new to write. Course, I've written plenty else over at the forums over the years that I'm sure I can plunder.

Sick and Tired

So I made it through the past couple weeks of being both sick and crazy busy with a wedding, without missing a blog post. So I guess I'd feel pretty silly to miss one now that I'm merely sick, and no longer crazy busy with a wedding.

Damn thing's still hanging on. Indeed, it's still in "too sick to go buy comics on Wednesday" territory. I'm improving, but not nearly damn fast enough.

Finally went to the doctor today and got some antibiotics. So, one more pill to take a couple of times a day; we'll see how it goes.

Mostly just trying to take it easy, heal up. Which is kind of a bummer because my dad and brother are still in town and I'd rather be out with them. Ah well -- plan on grabbing lunch with them tomorrow.


Reading: Just finished A Study in Scarlet. It spent rather a lot more time talking about the Mormon settlement of Utah than I expected.

Playing: Cthulhu Saves the World, and the original Half-Life in its new native-Linux version.

More Stupid Ideas in Digital Distribution

Stop me if you've heard this one: a media company does a promotion, is totally unprepared for the traffic it generates, the servers are obliterated so that legitimate customers can't access their stuff, and all the while pirates are still able to trivially obtain the media in question.

I'm talking about Comixology and Marvel, but I could just as easily be talking about EA ('cept that last part I guess; to my knowledge there's no crack to run SimCity without a network connection as yet).

Marvel started a big promotion the other day: 700 free issue #1's through Comixology.

The demand took down the Comixology site for two days. And it's still running slowly.

To blame for all this? Two things:

  1. a client-server distribution model with only a single website available to download from, and
  2. DRM on the files to make sure nobody else can set up a mirror.

Well, I should say "to make sure nobody else can set up a legal mirror", because, well, if you've been on the Internet for five minutes and are not a complete dumbshit, you're probably aware that anyone who wants those comics can trivially find pirated copies.

Go the legal route, with Comixology? You get a proprietary file that you can only read in their program. Provided you can access their fucking website at all.

Go the illegal route, through some dodgy website? You get a CBR, or a CBZ, or a PDF, which you can read in any program that supports that format. And you don't have to worry about whether a single specific website is actually working in order to acquire that file.

It doesn't take a fucking genius to see which is the superior, more customer-friendly option.

Let's talk about what customers want. Hey, I like comics. Let's start with me. Here, maybe this will help you get a feel for just how much money you could potentially squeeze out of me:

27 shortboxes, a long box, and a stack of bags a couple of feet high of books I haven't boxed yet

Not pictured: 14 more shortboxes, plus about 2/3 of a bookcase taken up by hardcovers and trades.

My point is, I have spent a fuck of a lot of money on comics over the course of my life.

You know how much I've spent on Comixology? Zero. The Dark Horse digital store? Zero.

And make no mistake: that's not just because I prefer physical comics. I do, but I've downloaded any number of free comics from both those stores. I've read them and I've enjoyed them. I'd be adding those 700 Marvel #1's to my collection right the fuck now if the website were functional.

But free is the amount I am willing to pay for a DRM-infected book, comic or otherwise. If you won't let me read the file on whatever computer I want, in whatever program I want, then you're not getting a damn dime from me.

I realize I'm not the guy Comixology's trying to appeal to here -- they're trying to draw in new readers, not people who know what happens on Wednesdays. I get that. I'm not the target audience here.

But the target audience is getting timeouts too. Not just new readers coming for the Marvel promo, but existing customers who can't access their accounts.

So, here are a couple of points to start with that I think should be blisteringly obvious:

The very idea of restricting access to a free digital giveaway is completely fucking insane.

Why put DRM on something you're giving away for free? What conceivable reason is there for this? Why would you want to restrict copying of a free promotion that you are doing?

And why only make it available from a single distributor?

I mean, I get the reasoning behind that one, at least: they want to turn people into Comixology customers. They don't want people to just grab the free comics and never bother coming the the Comixology site. I get the theory.

But in practice, well, how's that working out for you guys? You getting any customers out of this thing?

Here's the right way to do it: just post all 700 files in a big torrent file. Make them CBR/CBZ format. And stick an ad for Comixology in every file.

Ever see a popular torrent collapse under the weight of high demand? Of course you haven't. Because that is the opposite of how BitTorrent works. BitTorrent is at its absolute best on files that are in high demand.

Now, I know why media companies don't take advantage of BitTorrent: because that would legitimize BitTorrent. As far as the publishers are concerned, BitTorrent is synonymous with piracy. They want the protocol banned entirely -- so of course they're not willing to acknowledge that it can be used as a tool for legal distribution, and a very very good one at that.

So instead, they opt for DRM-encumbered files distributed through a traditional client-server model -- and create this gigantic fucking debacle. And you know what their takeaway from this is going to be? "Well, obviously we need to make sure we've got more bandwidth next time." They're going to think that the problem is that their stupid distribution model wasn't implemented correctly, not that their stupid distribution model is stupid.

"Let's just make sure we've got more bandwidth next time" was EA's solution to the authentication problems that Spore users faced in 2008. 5 years later, did it work?

As long as you're thinking that the fix is a better delivery mechanism for DRM-infected content, you're doing it wrong. The problem will persist.


But you know, there are lots of great digital comics out there that aren't from Comixology and aren't DRM-infected. I've gushed about Mark Waid's Thrillbent before; those are all DRM-free and free to download. I also enjoyed the first issue of Dracula the Unconquered by Chris Sims, Steve Downer and Josh Krach; it's DRM-free and only costs a buck.

The point here isn't merely to castigate companies who do it wrong -- please reward the ones who do it right.

Memory

Memory's a damned interesting thing.

I got married yesterday. Obviously this is one of those things that, barring brain damage or Alzheimer's, I will remember for the rest of my life.

And while nothing in life is ever perfect, if you do it right the good will supersede the bad.

If we remember, ten years from now, how sick we were on our wedding day and the days surrounding it, we'll remember how we pulled it together and made it happen anyway, spoke our vows and made our speeches and ate and drank and danced.

If we remember, ten years from now, how tight money was, we'll remember that we put together a beautiful ceremony and were surrounded by our friends and we didn't need bags of cash to do it.

And ten years from now I'm sure nobody will remember the dead rabbit right outside the bridal suite. (Bridal suite? Is that the right nomenclature? The building where she was getting her dress on, anyway.)

My life is pretty great right now -- even if I ache all over and can't breathe. That stuff? It'll pass. Way I figure it, we're just getting the "in sickness" part out of the way early.

It hasn't been a big change -- not really. I'm getting used to the feel of a ring on my finger, but other than that I feel about the same. We've been together nearly four years now -- marriage was a formality and an excuse for a big party.

Thanks against to everyone who came; I'm sure this isn't the last I'll say on the subject.

Mushy Stuff

I suppose that I should say a few words about the lady I'm marrying.

Longtime readers of this site have seen me bounce around -- I was still in high school when I put the original version up. In the years since, I've gone from school to school and job to job. Generally, I've been pretty happy (even during my "I hate you all" phase). But a lot of the time I was pretty lonely, and, at least since finishing college, I pretty consistently haven't known what was coming up next in my life.

I suppose that last is still true to some extent. At the moment I'm between temp jobs and don't know what the future may bring.

But I know who'll be there with me.

It's not just that I'm not lonely anymore. It's not just that I met a lady, or that I met a lady who's smart and kind and laughs at (most of) the same things I do. Or that we clicked pretty much immediately and have made it four years so far.

It's all of that. All of it together. It's that we make each other better. It's that whatever happens, we'll face it together, we'll be stronger for it and for each other, and it'll all come out in the end.

Linux is Ready for Your Dad

Well, maybe not your dad. But mine, at least.

My dad's in town -- I'm getting married, you see -- and asked me if I could get him a computer to use while he's here.

All I had lying around was an ancient Dell Dimension 8230. I suck Win7/32 on it.

And then found out that the audio didn't work. For Dad that was a deal-breaker.

I opened up the box (and was surprised not to get a cloud of dust to the face -- I don't remember blowing it out, but I must have, and fairly recently) and determined that the sound card is a Creative SB Live, model number CT4780. And that there's no Windows Vista/7 support for it.

I found a third party driver at kxproject.com, but it hadn't been updated since 2009 -- and didn't work either.

So at this point I asked my dad if he wanted me to install Windows XP on his computer, and probably wait the better part of 2 days for all the patches to download and install, or if he'd rather I put Linux on it. He said to give Linux a shot. (He'd used it for a little while at home when his Win7 installation was giving him trouble and a friend installed it for him.)

I settled on Xubuntu for a machine of that vintage. The install was quick, it had a checkbox for non-free software (including Flash and MP3 support), and it seems to support all the hardware out of the box -- including the sound card. And it runs faster than Win7 did.

Now, my dad's not a gamer. He doesn't even use Office. All he needs is a browser and Flash.

Which is of course true of an increasing number of users -- hell, Google's selling a $1300 laptop that just runs a browser. So it's not like this is a major bombshell or anything -- but it's still an interesting shift, no?

Riddle Me This: When is a Spoiler Not a Spoiler?

When it's on the damn cover.

Robin, RIP

"Spoilers" follow. If, you know, you looked at that cover and found yourself scratching your head wondering what could possibly happen in this comic.

As I may have mentioned once or twice last week, I've been laid-up with a cold. I wasn't up to leaving the house for comics last Wednesday. I knew there was some big "One of these characters will die!" thing going on in Batman Inc #8, that comics sites like Bleeding Cool were filling their headlines full of spoiler warnings, and that non-comics media outlets like the New York Post were blithely covering it with no such concern for spoiler warnings.

And then, on Thursday, one day after the issue hit, I ran across a headline on Robot 6 that spelled it out. I was pretty pissed-off at the breach of etiquette.

Up until I finally made it into the comic shop yesterday and actually saw the issue in question.

At which point I realized that yes, all this spoiler-warning nonsense really was nonsense. It's not a spoiler if it's on the damn cover.

The issue itself wasn't bad. Had some good moments; I particularly like Damian telling Dick he was his favorite partner.

The ending -- well, there are some fantastic reaction shots of both Batman and Talia, but ultimately the whole thing actually felt a little anticlimactic considering how much it'd been built up.

Plus, it's comics. Odds he'll actually stay dead? There is a comic book called Batman and Robin. To the best of my knowledge, it is not being cancelled. I suppose they could make Tim Robin again, or there could be some other Robin, but...well, I'm pretty sure Damian's going to get better. Lazarus Pits may be involved.

(There's also the point that the cover is based on one from the Batman: RIP arc a few years back. Batman, of course, also did not actually die. And "RIP" turned out to stand for "Rot in Purgatory". Which, I guess to be fair, is an apt way to describe all the benched DC characters.)