Author: thad

What Now?

So today I got the old "Well, the project's almost over and we don't know what that means for you" talk.

As per usual, if it were up to the discretion of people I have actually met, I'd have the job. But, as per usual, I am at the mercy of west-coast bean counters.

The thing about that: when you complete a project weeks ahead of schedule, the people who have actually met you think, "Hey, maybe we should keep this guy around." But the bean counters tend to think, "Oh good, that means we can cut him loose that much sooner." Here's hoping the people who value me win the argument for a change.

Apparently I've got, at the very least, two weeks left. Which could mean I become unemployed just in time for my thirtieth birthday. I don't think it'll be that soon, but man that would be a fun little extra coincidence.

So it goes. I'm sanguine, I guess. I'd like to keep my job -- it's a good gig, it pays fairly, I'm settled and I like the people I'm working with -- but you know, if I'm forced into another change of scenery, I'll make the best of that too.

If nothing else, there are plenty of companies that could still use a guy who can handle a Windows 7 migration.

On Suspension of Disbelief

I just watched the Darkness Falls episode of X-Files.

Here's the thing.

Aliens? Yeah, okay, I can work with that.

Scary Martian faces that possess people? Well, okay, I guess.

But bioluminescent bugs that can't stand light? That doesn't make a lick of goddamn sense!

And that's before we get into some of the finer details, like how when the gas is low and they don't think the generator will make it through the night, nobody even mentions trying to light a fire.

One line would be all it would take. Maybe say the ground's wet -- it looks wet enough in the last act of the show, even though it's sunny out when they're having the generator conversation.

Or just say that a little bit of light isn't enough to keep the bugs away. That could tie together with the climax, where the dude gets eaten by them despite being right in the headlights, and then Mulder, Scully, and Ranger Guest Star all get swarmed and nobody tries to open a car door to make a light come on.

This shit would be easy to handwave, but I as the guy in the audience shouldn't have to do it myself!

Doctor Who: The Curse of Fenric

Continuing from Ghost Light; originally posted on Brontoforumus 2008-04-06.


Curse of Fenric makes a fine followup to Ghost Light. It's got vampires, Ragnarok, game theory, cryptography, World War II, sea monsters, time paradoxes, causality loops, and ancient exiled evil.

Most interesting is the "Battle not with monsters lest you become one" theme. I can't recall an American children's show ever uttering the word "Dresden"; hell, I'm hard-pressed even to think of one that actually showed a swastika. Acknowledging that the Allies were far from innocent in the war is powerful stuff for -- what was the expression Sharkey used? -- goofball foreign children's television.

The plot twists are obvious, the characters are simplistic, and all in all it's a lot easier to follow than Ghost Light. But simplicity aside, the characterization is excellent, particularly from the Doctor and Ace during the climax.

All in all, a great mix of elements, well-written and well-acted. I think I'm going to have to agree with the fanboys: it's a pity the show was cancelled just when it was starting to turn around.

Available on Netflix and Amazon Prime; well worth watching.

Rehearsal

Bits of Fifty-Fifty and Montana, and a few other snippets besides. Sydney, 1973.

Great Opening Titles: Gravity Falls

I saw this cartoon getting rave reviews as the latest in the trend of Adventure Time and My Little Pony -- a cartoon for kids with surreal humor that appeals to adults.

It had me at hello.

Hello.

Seriously, it's great. It's funny, it gives an immediate sense of the characters, the atmosphere, and the wacky world. The theme song conveys a sense of mystery and weirdness.

Also: there's a picture of Bat-Boy.

I knew this show was going to be great before the opening titles were over. And that's exactly what opening titles are for.


BTW I've added a little update to the bottom of Monday's Bissette/Ditko post. Bissette's posted a followup which includes some feedback from Craig Yoe, and there's some great insight in the comments besides.

Call Any Vegetable

Uploader sonsoloidee says it's from Montreux, '71; commenter npspec34 says it sounds like the UCLA concert in '72. I assume much the same band and arrangements at those two shows.