Via YourArf, who explains:
Frank Zappa's tribute to Lakshminarayana Shankar. Composed and recorded sometime around 1987-89.
Author: thad
Doctor Who: Mark of the Rani
Originally posted on Brontoforumus, 2009-01-11, following up on my preceding review of Revelation of the Daleks:
You know, I thought Revelation of the Daleks was pretty good -- good enough that it makes me want to check out more Sixth Doctor episodes, which I hear is an emotion most people rarely feel.
Aaaaand Mark of the Rani has cured me of it.
The setting is interesting, and it's got the Master, and the Rani is a character with potential, but...it's pretty much terrible. At this point I want to punch Peri in the mouth every time she opens it (though this actually makes me kind of want to check out Trial of a Time Lord just to see her die).
The fact that this is regarded as one of the better Sixth Doctor serials goes a long way toward explaining why everyone hates the Sixth Doctor. Not worth buying, not worth renting, not even worth watching while drunk.
Tweezil?
I had a meeting today for a local business that some clients of mine are working on opening.
It involves ziplines, and there was a demonstration of zipline technology.
One of the components -- a proprietary piece that helps keep carabiners shut -- is called a tweezil -- I'm not sure if I've got the spelling right, but that's how the guy pronounced it, anyway.
And he confirmed that yes in fact it is named after Dweezil Zappa, as a tribute, because its inventor is a huge Frank Zappa fan and vowed that his first great invention would bear that name.
(Can't find any documentation of this offhand online, so if anybody can lead me to more information I'd be happy to link it. But that's what the man said, anyway.)
Signage
Yesterday I went to a Cory Doctorow book signing at Changing Hands.
He was promoting his new book, Homeland, but the talk he gave was more general. It dealt with his usual pet issues: overbearing copyright law and its impact on ordinary citizens, and spyware that attempts to control our computers and how it makes them and us less safe. A lot of it was about Aaron Swartz, the talented programmer who developed RSS, helped build Reddit up, spent the last several years of his life fighting charges from the US Attorney threatening a decades-long prison sentence for copyright infringement (when the copyright holders themselves chose not to press charges), and took his own life last month. It's a sobering story -- obviously depression is a complicated thing and it's foolish to blame a person's suicide on one single cause, but I think any reasonable person can conclude that (1) the charges against him contributed to his decision and (2) they were wildly disproportionate to his alleged crime.
Sobering stuff, but a good talk and mostly light despite ending on a heavy note. Nobody in the audience recorded it, but Doctorow said the talk's been recorded elsewhere and that he'd provide a link once it was uploaded to YouTube. (Edit 2013-02-13: Per Doctorow's blog, the version of the speech he gave the next day at ASU has been posted on ustream: part 1, part 2.)
Before all that, I was sitting in the audience waiting for him to come out onstage. I was reading a copy of Circle of Enemies; the lady sitting next to me asked if it was an urban fantasy novel and when I said that it was, she handed me her business card and said that she was an urban fantasy author as well. Her name is Kater Cheek, she's a former student of Doctorow's, and the urban fantasy novel advertised on her card is Seeing Things. I bought a copy when I got home; haven't had a chance to read it yet, but I'm looking forward to it.
I mentioned that I'd recently put out a few audiobooks; she hadn't heard of ACX so I suggested she give it a look if she's interested in producing any of her own.
I talked to Doctorow a bit about audiobooks, too, when it came time for the actual booksigning. The guy in front of me asked if Homeland would be released as an audiobook; Cory said there were no plans at present, because he won't distribute through Audible until they offer a DRM-free option, and Audible is 90% of the market. He said he's looking at options with the Humble Bundle; when I got up there I wished him luck on that, and added that a Humble Audiobook Bundle could be a great help to narrators like myself who don't really have an alternative to Amazon but don't like DRM very damn much either. (I mentioned that, while I sell books on Audible, I can't be their customer, because they don't support my operating system. Crazy.)
Anyway, I asked him to sign my Nexus 7 case, because that's where I keep most of his books.
Which is really a twofer, because now my case has not only a drawing of a skull and crossbones by Cory Doctorow...
...it's also got a drawing of an asshole by Kurt Vonnegut.
(For the record, I haven't opened it but I'm pretty confident that I can. It looks easier than my Mac Mini, Wii, or old 60GB iPod, and I've opened them.)
Dweezil Interview, Part 5
Discussion of modern technology and classical tools, old projects and new.
I think that's all of the FaceCulture interview.
Dweezil Interview, Part 4
A good piece on getting the band together. The story of auditions is well-worn by now but it's a good one.
Dweezil Interview, Part 3
Dinner on a Flying Saucer: My Third Audiobook
My third audiobook is available from Audible, Amazon, and iTunes. It's called Dinner on a Flying Saucer and is written by Dean Wesley Smith. The publisher's description is as follows:
Sometimes, when a fella gets to help out with fightin' a war between two alien races, it's just not such a good idea to tell your wife. Sometimes the truth just isn't good enough.
This is my favorite of the three I've done so far. It's a good tall tale and it's got accents; I particularly enjoyed playing the husband as gregarious and over-the-top and the wife as quiet and deadpan.
Be sure and read my first audiobook post for some notes on Audible DRM. And you can discuss my audiobooks at Brontoforumus.
Dweezil Interview, Part 2: "He would not have been a fan of MP3's and inferior formats."
Dunno what's up with that damn echo, but Dweezil's right: Frank had a plan for a music download service back in the days of 1200 baud modems and audio cassettes, and nobody listened to him. If the RIAA is a decade behind technology, Zappa was 20 years ahead.
I'm a FLAC man, by the way. And you can buy Zappa music in FLAC format at Barfko-Swill.
Doctor Who: Revelation of the Daleks
Originally posted Brontoforumus, 2009-01-06.
You know, I thought Revelation of the Daleks was pretty good -- good enough that it makes me want to check out more Sixth Doctor episodes, which I hear is an emotion most people rarely feel.
Probably the most interesting thing about it is that at this point the show had abandoned all pretense of being a kids' show -- while it doesn't have as high a bodycount as the previous Dalek arc, it's probably more violent, dark, and disturbing all around, with the most memorable scene being a woman searching for her father in a Ubik-like cryo-preservation center and finding his mutated head inside a Dalek armor. (Yeah, we've got Davros mutating humans into Daleks here -- a precursor to The Parting of the Ways.) That and every shot of Nicola Bryant's stockings or cleavage tend to prove the show was trying desperately to keep a now-teenage audience rather than acquire new viewers -- there's some parallel to be drawn between this and my frequent "How the comic industry is fucking itself" musings.
It veers off-course in places, with the first ep's cliffhanger resembling a game of Xanatos Roulette (even with cameras all over the place tracking the Doctor's every move, it's hard to figure how Davros knew Peri would see the Dalek and follow it to the Doctor's fake memorial), and the Doctor's broken pocketwatch feels a lot like an unfired Chekhov's Gun -- maybe it's covered in Trial of a Time Lord (I have very little interest in finding out; if Douglas Adams and Tom Baker couldn't get me to watch a season-long arc, I really don't see doing it for one that everybody seems to hate), or maybe it's just a way of destroying a deus ex machina like they did with the Sonic Screwdriver during the Davison era.
The biggest problem with the serial was the same as in the only other Sixth Doctor serial I've seen to date, Vengeance on Varos: the Doctor and Peri don't really do anything, and the story would transpire pretty much the same without them. Peri's got a good emotional moment in the first ep that is largely ruined by her "Where the fuck is she supposed to be from?" accent; she sounds more like a real person in the second half but overacts to the point of obnoxiousness. #6 has a few good lines and makes me want to see more of him, but again, he doesn't really do anything.
Far and away my favorite part is the utterly nonsensical and downright surreal appearance of comedian Alexei Sayle as the DJ (everyone, including the supposedly-American Peri, pronounces his name that way, with the accent on the "J"). He has fuck-all to do with the story, and shows up a few times in the first ep to speckle the fourth wall and impersonate Elvis; in the second ep, he kills several Daleks with a beam of pure rock'n'roll. It's a very clear example of a celebrity guest star awkwardly shoehorned into a script, yet as far as I'm concerned, the result is completely awesome.
Other thoughts: the Daleks do not actually seem like a race that would have courts and trials. (This plays into the opening of the 1996 TV movie, which piles on the additional questions of what the Master was doing there, why the Time Lords apparently sanctioned the Daleks' brand of justice, and why the Daleks let the Doctor show up on Skaro to collect the remains.)
Anyway! Best Dalek story I've seen in a long time, better than Resurrection, Destiny, or either of their very bad appearances in the past two years. I'd say it's worth a rental, but it's not that damn much more to buy it -- nobody loves the Sixth Doctor.