So, people on the messageboard have recently been prodding me about the fact that there are threads there that consist largely of me posting and nobody replying, yet meanwhile I have let my blog languish since February. It is a fair point, and so I'm going to start putting my posts about things nobody else apparently wants to talk about up here instead of on the boards.
Sadly, Love and Rockets seems to be one of those things, and that's a shame -- anything involving Skrulls or written by Mark Millar provokes lively discussion, yet when I bring up one of the seminal series in comics history (and, for my money, a fantastic piece of American literature)? Nada.
So this week marked the debut of Love and Rockets: New Stories, the third volume of the series and a new format -- a beefy 100-page annual. I suspect that the reason they titled it New Stories instead of simply Volume 3 is that, at a glance, it looks like a trade; they want to emphasize that it is not, in fact, a collection of old stuff.
The presentation is 7 short Gilbert stories (one of which is written by Mario) bookended by a Jaime story in two 24-page installments.
Jaime's story is set, loosely, in Locas continuity -- it features Penny Century and Xo, and Maggie appears briefly -- but it doesn't fit with the series' usual realistic themes; it's a superhero story. It recalls the early Maggie the Mechanic stories, where dinosaurs and robots appeared as casual, everyday parts of life, and Love and Rockets was actually a fairly accurate description of what you were likely to see in the book.
That aside, needless to say, it's not everday superhero fare. There's plenty of Kirby love to go around, but this is still a Love and Rockets story -- it's about family issues, old friends reuniting, and strong women.
That element of the familiar pervades Gilbert's stories, too, but he abandons his established world -- there's no Palomar here, nor even any of its tangentially related characters like Venus or Fritz. They're also short -- Jaime devotes 48 pages to a single story, while Beto's longest is 16.
Papa, The New Adventures of Duke and Sammy, and Victory Dance form a trilogy of sorts, increasingly surreal as they go. Mario's story, Chiro El Indio, is not so much surreal as whimsical, and has a certain 1920's vibe to it. Never Say Never is a funny animal story about luck and sharing the wealth, while the aptly-named ? is a thick-lined, surreal pictures-only story that recalls Owly or Frank.
Beto's stories show a good deal of stylistic range -- I'm not an artist and I'm likely to stumble in trying to describe what he does with lines and shading, but each story is visually distinct.
Anyway. Love and Rockets. One of the all-time greats, and I love that it's still being published -- even if we only get one a year now.
Looking forward to Beto's story in this year's Treehouse of Horror comic.
Playing: Just finished Mass Effect for the second time; working my way through various Mega Man titles in preparation for 9.
Reading: Our Dumb World, in-between various comics. The local Atomic Comics had a 20% off sale on Labor Day and I picked up a stack; so far I've read Astonishing X-Men vol 4: Unstoppable and Batman: Gotham by Gaslight.