Tag: Mirage

TMNT: The IDW Collection, vol 1

When IDW launched its Teenage Mutant Ninja Turtles series by Kevin Eastman, Tom Waltz, and Dan Duncan in 2011, I picked up the first couple of issues and stopped there. I'm sick to death of reboots, I'm not interested in reading the umpteenth iteration of the origin story, and the pacing felt glacial.

But I've picked up a few issues and trades here and there over the years, and liked them a lot, so I've occasionally thought about getting into the main series.

As of this posting there's a Humble Bundle featuring the first fifteen volumes of TMNT: The IDW Collection, plus The Last Ronin, a TMNT riff on Dark Knight Returns which I've heard a lot of good things about. So I went ahead and snagged it.

I read TMNT: The IDW Collection vol 1, which collects the first twelve issues of the series plus an 8-page story from the 30th Anniversary Special and five "micro-series" issues (one for each Turtle, plus Splinter). And I liked it, but it also reinforced my initial impressions from 2011.

It is decompressed as fuck, but it feels pretty brisk in this format, where you can breeze through a 22-page chapter a couple of times a day instead of waiting a month in-between. So I like the main series better this time, but the done-in-ones are still the best part. Particularly Donatello, which has the best writing (by Brian Lynch and Tom Waltz, with artist Valerio Schiti), and Leonardo, which has the best art (by Sophie Campbell, with writer Brian Lynch).

As for the main arc, well, it sure does hit a lot of the expected plot beats. Turtles and rat get mutated by glowing green ooze of alien origin, Raph meets Casey and they beat up some street thugs together, Michelangelo has a holiday-themed adventure, Donatello makes a human friend, Leonardo gets the shit kicked out of him by a whole lot of Foot ninja, the lair is attacked by Baxter Stockman's Mousers, Splinter is captured, the Turtles meet April (who faints), they infiltrate the lab where the ooze came from, Splinter is captured by the Foot, the Turtles hunker down in April's secondhand store then find out where Splinter is and go to save him, big fight with Shredder, end of the book. It's fine, even good-to-great, but most of it's a little familiar (and the stuff that isn't, like the new origin where Splinter and the Turtles are a reincarnated family from feudal Japan, doesn't necessarily work for me), and I'd rather see new stories than just riffs on old ones.

That said, the characters are there, and that's the most important thing. Raphael and Casey aren't as angry in this depiction as in most; they feel a bit more like the older versions from Mirage's TMNT vol 4, who'd grown up a little and gotten some perspective. Donatello, by contrast, is kind of a dick; he knows he's the smart one and he never lets anyone forget it. It's Don, not Raph, who's constantly butting heads with Leo and questioning his leadership. It's an interesting twist on the formula; it makes Donny a lot less likable than usual, but it sure makes him queasily relatable.

And some of the plot changes are good, and serve the characters better than in the original series, when Eastman and Laird were just making it up as they went along.

Like, the original 1984 TMNT #1 is kind of weird. Splinter sends his four 15-year-old sons out to settle a decades-old blood feud for him. That's pretty fucked-up! And nobody addresses that it's pretty fucked-up until about 50 issues later, in City at War, when (IIRC) Leo observes that they are caught in the middle of a gang-war because Splinter dragged them into this. And that's following all the other shit that's happened as a direct result of their killing the Shredder back in issue #1: Leonardo and Raphael both got beaten nearly to death, and April got her apartment burned down. None of those things would have happened if Splinter hadn't roped his boys into a revenge killing.

Which, in hindsight, really doesn't sound much like Splinter at all, does it? Eastman and Laird weren't thinking of long-term character development when they put together that first issue, they were just thinking of chop-socky tropes. (Oh God. Is that why the villain's name is Saki?) And most subsequent versions have, rightly, rewritten the story so that Splinter isn't the aggressor. Usually the Foot is up to some nefarious deeds and the Turtles run afoul of them without even knowing of their connection to the Shredder. This is one of those stories, with some mysticism thrown on about fate and karma and destiny.

Most significantly, at least for Splinter's character, is that he only faces Shredder because he's forced to. He literally has to be dragged before the Shredder before he fights him, and even then he agonizes about whether he's willing to use lethal force — and only decides he's willing to kill because he thinks that's the only way to protect his family.

(He doesn't kill the Shredder, of course; this isn't the original series and they're not going to take him out that soon.)

I also like Leonardo calling out the Shredder for acting like he's a badass even though he's never won a fair fight. Like, what have we seen him do up to this point? Kill a woman and children, and then win one-on-one fights with Leo and Splinter but only after ambushing or kidnapping them and then making them fight like a hundred other ninjas first. The Shredder's only ever projected weakness, never strength, and Leo sees right through him.

All in all? I thought it was pretty good. I've got my gripes but I liked it, the potential is definitely there, and I'm interested to keep reading and see how it develops as they start to tell new stories and as Sophie Campbell becomes a bigger creative presence.

But maybe I'll get back to that Hellboy bundle first.

Race and April O'Neil

This post recycles some bits of previous posts I wrote on Brontoforumus (2013-11-15) and the Avocado (2017-11-06).


There's a new TMNT cartoon series coming, Rise of the Teenage Mutant Ninja Turtles. Here's a video introducing the cast:

I don't recognize any of those people except the guy who plays Big Head on Silicon Valley, but they look like a good group, assembled by new voice director Rob Paulsen (who played Raphael on the 1987 cartoon series and Donatello on the 2012 one).

An E! article aptly titled Rise of the Teenage Mutant Ninja Turtles Makes History With Kat Graham as First African-American April O'Neil had this to say:

The Teenage Mutant Ninja Turtles are back—with a historical twist. Nickelodeon is returning to 2D for the new animated series Rise of the Teenage Mutant Ninja Turtles with a new voice cast including The Vampire Diaries' Kat Graham as April O'Neil, marking the first time April has been portrayed as an African-American.

And while this is a first for cross-media adaptations of TMNT, and a milestone to be celebrated, it's not quite the whole story. In the original Mirage comics series, April's race is ambiguous.

In her first appearance, in issue #2, she looks like this:

April O'Neil's first appearance: straight hair
Teenage Mutant Ninja Turtles #2
By Kevin Eastman and Peter Laird
© 1985 Nickelodeon
Scan courtesy of Ian Pérez Zayas

That look is clearly the basis for her design in the cartoon a few years later, which every subsequent version has been based on.

But in #4, she got a redesign:

April O'Neil redesign: curly black hair
Teenage Mutant Ninja Turtles #4
By Kevin Eastman and Peter Laird
© 1985 Nickelodeon
Scan courtesy of Ian Pérez Zayas

And that's more or less what she looked like for the duration of the original Mirage run.

I cribbed both of those scans from Ian Pérez Zayas's website, Chasing Sheep, which has a seven-part series on this subject called A Visual History of April O'Neil. Those pieces are exhaustive and I recommend you read them; they go into far more detail than I'm going into here.

At any rate, many readers saw April's design in the Mirage comics and inferred that she was African-American.

So was that deliberate? Well, yes and no. Here's what co-creator Peter Laird had to say about it:

[I]t depends on which co-creator of the TMNT you ask. If you ask me, I always saw April O'Neil as white. If you ask Kevin, I suspect he would say -- as he has in a number of interviews -- that she was of mixed race, much like his former girlfriend (then wife, then ex-wife) April.

Unfortunately, I can't find any of those "number of interviews" online. (Warning: do not search for "April O'Neil" at work.) But here's the best reference I can find, from the Talk section on the April O'Neil Wikipedia entry:

I found a blog in which the writer talks to creators Eastman and Laird about April's look in the early Mirage comics. Eastman says that he thought of her as a fair-skinned Black woman like her namesake (and his first wife) April Fisher. The last name O'Neil and the later comic/other media look as a white redhead was Laird's vision. Eastman's drawing was what we saw due to his being better at drawing women. Source? http://the-5th-turtle.blogspot.com/2007/12/pieces-of-april.html?showComment=1199129280001

The 5th Turtle was Steve Murphy's blog. Unfortunately, it's been down for years, and the post linked above is not available at archive.org.

But there's a 1991 article from the Greensboro News & Record that says this:

[Eastman] settles into a sofa beside girlfriend April Fisher - the model for one of the characters in his comic books - and chats about how the turtles have changed his life.

So it seems pretty clear that Eastman based April's name and appearance on his then-girlfriend, April Fisher, and intended for her to be African-American, but that he apparently never mentioned this to Laird, who always thought of April O'Neil as caucasian.

Now, it does seem a bit odd that Laird wouldn't make the connection given April's name, but I've got a theory: he knew that April O'Neil was named after April Fisher, but didn't know that she was visually based on her. So, why wouldn't he have made that connection? Well, here's a picture of Kevin Eastman's second wife, Julie Strain:

Julie Strain has curly black hair
Courtesy of Wikipedia/Wikimedia Commons
Do not search for "Julie Strain" at work either.

So I'm thinkin' dude has a type.

At any rate, Kat Graham will be the first African-American actress to play April O'Neil. Congratulations to her, and I look forward to the new show.